Styles: Trombone Jazz
Year: 2010
File: MP3@320K/s
Time: 34:28
Size: 80,6 MB
Art: Front
(2:57) 1. Night In Tunisia
(2:38) 2. Piece For Two Tromboniums
(2:18) 3. Rise 'N' Shine
(2:34) 4. All At Once You Love Her
(3:26) 5. No Moon At All
(2:04) 6. Surrey With The Fringe On Top
(2:28) 7. The Peanut Vendor
(3:00) 8. You're My Thrill
(2:35) 9. Jeanne
(3:58) 10. Four Plus Four
(3:30) 11. You Don't Know What Love Is
(2:53) 12. The Continental
Year: 2010
File: MP3@320K/s
Time: 34:28
Size: 80,6 MB
Art: Front
(2:57) 1. Night In Tunisia
(2:38) 2. Piece For Two Tromboniums
(2:18) 3. Rise 'N' Shine
(2:34) 4. All At Once You Love Her
(3:26) 5. No Moon At All
(2:04) 6. Surrey With The Fringe On Top
(2:28) 7. The Peanut Vendor
(3:00) 8. You're My Thrill
(2:35) 9. Jeanne
(3:58) 10. Four Plus Four
(3:30) 11. You Don't Know What Love Is
(2:53) 12. The Continental
It was around the years when this recording was made that trombone groups, whether they be choirs, quartets, septets, or some other configuration, were in vogue. Kai Winding recorded several during the 1950s with his own group and with his oftentimes playing partner, J.J. Johnson. This album is the product of one of those occasions. Recorded over a three-day period in 1956 and originally issued on a Columbia LP, Johnson and Winding are joined by fellow slide instrumentalists Bob Alexander, Eddie Bert, Urbie Green, Jimmy Cleveland, Tom Mitchell, and Bart Varsalona, the latter two on bass trombone, plus an all-star rhythm section of Hank Jones, Milt Hinton, and Osie Johnson. Also somewhat of an item during this period was the trombonium, an upright valve trombone resembling a euphonium. Johnson and Winding use this instrument on some of the cuts, including "A Night in Tunisia" and "Piece for Two Tromboniums."
The playing here is simply terrific, as one would expect from this eminent cast of trombonists. The only problem is that after a while, one begins to yearn for some other horns, especially the sax, to get a change in the harmonics and voicings. Nonetheless, the playing, both solo and in ensemble, is brilliant and is a prime example of how the trombone had evolved from essentially a tailgate to an instrument that could execute fast-moving bop tunes and use a controlled vibrato and enveloping tone on slower numbers. There's plenty to choose from both categories on this session. The players on this album were in the vanguard of that metamorphosis. This LP richly deserved to be reissued on CD.~ Dave Nathan http://www.allmusic.com/album/jay-and-kai-6-the-jay-and-kai-trombone-octet-mw0000965548
Personnel: J.J. Johnson - Trombone, Trombonium; Kai Winding - Trombone, Trombonium; Urbie Green – Trombone; Bob Alexander – Trombone; Eddie Bert – Trombone; Jimmy Cleveland - Trombone; Tom Mitchell - Bass Trombone; Bart Varsalona - Bass Trombone; Hank Jones – Piano; Milt Hinton – Bass; Ray Brown – Bass; Osie Johnson – Drums; Candido Camero - Conga, Bongo
Personnel: J.J. Johnson - Trombone, Trombonium; Kai Winding - Trombone, Trombonium; Urbie Green – Trombone; Bob Alexander – Trombone; Eddie Bert – Trombone; Jimmy Cleveland - Trombone; Tom Mitchell - Bass Trombone; Bart Varsalona - Bass Trombone; Hank Jones – Piano; Milt Hinton – Bass; Ray Brown – Bass; Osie Johnson – Drums; Candido Camero - Conga, Bongo
Jay & Kay + 6
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