Time: 76:13
Size: 174.5 MB
Styles: Piano jazz
Year: 2012
Art: Front
[5:24] 1. Like Someone In Love
[4:22] 2. Black Coffee
[4:48] 3. Taboo
[4:46] 4. I'm Glad There Is You
[5:05] 5. Gate City Blues
[5:50] 6. Two Mile Run
[5:38] 7. Witchcraft
[4:16] 8. Bluebird Of Happiness
[5:21] 9. I'm A Fool To Want You
[4:31] 10. I Love You
[5:05] 11. When Sonny Gets Blue
[5:24] 12. The Golden Striker
[6:43] 13. On Green Dolphin Street
[8:53] 14. 3 A.M.
Duke Pearson (p), Gene Taylor (b), Lex Humphries (d). Recorded at Rudy Van Gelder Studio in Englewood Cliffs, New Jersey. Tracks #1-7 on October 29, and #8-14 on December 6, 1959. Stereo 24-Bit Digitally Remastered.
Columbus Calvin Pearson Jr. (Atlanta, Georgia, August 17, 1932–August 4, 1980), better known as Duke Pearson, set great store by lyricism and flowing, effortless swing every time he played. “I try to get to the heart of each tune,” he said. “I try to get to the meaning of someone else’s tune.” He was equally adept when scoring his own compositions or setting the work of others.
This brilliant pianist was not afraid of unabashed romanticism, a quality very much in evidence throughout his improvisations on these trio performances and expressed through his gentle, warm, almost sensuous touch. Alongside him, bassist Gene Taylor’s work is unfailingly impeccable, and Lex Humphries provides ample confirmation of his reputation as a sensitive, thoroughly reliable drummer.
The interaction within the group is at all times of the highest level in a virtually flawless demonstration of the art of reflective, many-faceted jazz piano trio playing.
Columbus Calvin Pearson Jr. (Atlanta, Georgia, August 17, 1932–August 4, 1980), better known as Duke Pearson, set great store by lyricism and flowing, effortless swing every time he played. “I try to get to the heart of each tune,” he said. “I try to get to the meaning of someone else’s tune.” He was equally adept when scoring his own compositions or setting the work of others.
This brilliant pianist was not afraid of unabashed romanticism, a quality very much in evidence throughout his improvisations on these trio performances and expressed through his gentle, warm, almost sensuous touch. Alongside him, bassist Gene Taylor’s work is unfailingly impeccable, and Lex Humphries provides ample confirmation of his reputation as a sensitive, thoroughly reliable drummer.
The interaction within the group is at all times of the highest level in a virtually flawless demonstration of the art of reflective, many-faceted jazz piano trio playing.
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