Saturday, February 10, 2018

Raquel Tavares - Roberto Carlos Por Raquel Tavares

Size: 128,1 MB
Time: 54:37
File: MP3 @ 320K/s
Released: 2017
Styles: Fado Pop, Fado Canção
Art: Front & Back

01. Voce (2:56)
02. Como E Grande O Meu Amor Por Voce (3:48)
03. Sua Estupidez (4:13)
04. De Tanto Amor (Feat. Ana Carolina) (3:13)
05. A Distancia (3:55)
06. Debaixo Dos Caracois Dos Seus Cabelos (Feat. Caetano Veloso) (4:21)
07. Palavras (3:09)
08. Fera Ferida (5:12)
09. Detalhes (5:01)
10. Cavalgada (3:48)
11. Nao Se Esqueça De Mim (3:44)
12. Olha (3:22)
13. Do Fundo Do Meu Coraçao (4:02)
14. Emoçoes (3:46)

"Roberto Carlos By Raquel Tavares" is based on the repertoire of one of the greatest artists in the world, Roberto Carlos, and features contributions by Caetano Veloso in "Debaixo Dos Caracois Dos Seus Cabelos" and Ana Carolina in "De Tanto Amor". The project received the gold certificate in Portugal, where it stayed for several weeks in the first place among the best-selling albums.

Raquel Tavares is a Portuguese fado singer. Its name gained notoriety in Portugal for the first time in 1997, year in which, at age 12, it won in the Great Night of the Fado. In 2006 she released her first album "Raquel Tavares" and in the same year she received the Amália Rodrigues Award for 'Revelação Feminina', from the Amália Rodrigues Foundation. In 2007, Casa da Imprensa awarded him the 'Revelation Prize' of the year. With the success and subsequent releases, Raquel has performed in several countries like Spain, France, Italy, Greece, Marocco, Germany, Belgium, Holand, Scotland, England, Ireland, Uruguai, Argentina, Brazil, Canada, China and recently, Australia.

Roberto Carlos Por Raquel Tavares

3 comments:

  1. Fabulous! Look, I’ve lived here in Brazil for 15 years, and I have tried to spend a little time every day nursing my distaste, if not outright disdain, for Roberto Carlos. But once past the Mantovani Strings-heavy first couple of bars of the first cut of this present album posting, I allowed myself to get caught up in all the treacly emotionalism of the music and even the lyrics and I really liked it. “Como é grande o meu amor por você!” “How great is my love for you!” Goodness gracious. Whenever I have the misfortune to hear Roberto Carlos “The King” (so-called) sing this (as background music in a shoe store, for example), I wince. But with this amazing portuga Raquel Tavares at the microphone, I have, yes, I admit it, allowed myself to get kind of swept away – so long live cultural hybridism. But now the reality check: My wife Barbara said, “What’s THAT?” (She did not say, “Turn it off.” But she did leave the room.) It will not be among the effects of this present album that I go back and give “O Rei” himself a further and this time more open-minded listen. O Rei’s audience is pretty much the same as Julio Iglesias’s – women of a certain age and a certain social class, love-starved. (For the record, Iglesias is a lot better looking that his Brazilian counterpart. He certainly has better hair.) I shall, however, listen to the present CD another couple of times. I am curious to see how long it takes me to come back to myself and get sick of it.

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  2. This love starved woman of a certain social class loves it.

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  3. Mark, I grew up listening RC and I can't agree with you when you say that RC and JI have the same audience. RC start his career by the end of the 50's, JI start his career at least 10 years after and RC was already "the king". In this period, you can compare him with Elvis not with JI. If Elvis was the king in USA, why RC couldn't be the king in Brazil? After the 70's RC changed, become more pop and more romantic, he lost his rocker side. Cause of this, I understand why you compare him with JI, although I don't agree.

    PS: I'm not brazilian, I'm portuguese.

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