Styles: Trombone Jazz
Year: 1996
File: MP3@320K/s
Time: 70:04
Size: 161,0 MB
Art: Front
(1:17) 1. Blessing
(6:05) 2. A Love Supreme (Supremo Amor)
(6:52) 3. Blue Train
(9:38) 4. Afro-Blue
(4:41) 5. Naima
(7:59) 6. Satellite
(6:37) 7. Africa
(4:36) 8. After the Rain
(7:26) 9. Impressions
(7:44) 10. India
(5:43) 11. The Drum Thing
(1:20) 12. Blessing (Reprise)
The Latin Side of John Coltrane
Year: 1996
File: MP3@320K/s
Time: 70:04
Size: 161,0 MB
Art: Front
(1:17) 1. Blessing
(6:05) 2. A Love Supreme (Supremo Amor)
(6:52) 3. Blue Train
(9:38) 4. Afro-Blue
(4:41) 5. Naima
(7:59) 6. Satellite
(6:37) 7. Africa
(4:36) 8. After the Rain
(7:26) 9. Impressions
(7:44) 10. India
(5:43) 11. The Drum Thing
(1:20) 12. Blessing (Reprise)
A great idea beautifully executed by New York trombonist Conrad Herwig. The trombonist/arranger/musical director chooses Coltrane's most accessible material from a period that arguably spawned his best, most memorable work (1958-1964), devised simple, exploratory frameworks for each (recalling veteran Chico O'Farrill), then assembled an outstanding collection of musicians. In addition to Herwig's sinewy trombone, there's Brian Lynch on trumpet, Dave Valentin on flutes, Ronnie Cuber on baritone, Richie Beirach (who contributed to some of the arrangements), Danilo Perez and Eddie Palmeri on piano, Andy Gonzalez (from the Fort Apache Band) on bass and Milton Cardona on vocals and percussion. Selections are outstanding: "A Love Supreme," "Blue Train," (where Lynch trades fours with Herwig), "Afro Blue" (great flute solo by Valentine), "Naima" (beautifully featuring Beirach), "After The Rain," "Impressions" and "India." Throughout, Herwig solos flawlessly, with a sensitivity and fire that's reminiscent of the source of his tribute. Herwig's record, more than Joe Henderson's recent big-band event, sounds like a natural conclusion. The arrangements and performances work well together and the Latin environment seems a logical foundation for Coltrane's passions. One last note: Astor Place has done a beautiful job packaging The Latin Side of John Coltrane , sparing no expense for trendy art direction that recalls some of the very expensive covers Limelight Records put out in the mid 60s. Recommended. ~ Douglas Payne https://www.allaboutjazz.com/the-latin-side-of-john-coltrane-conrad-herwig-astor-place-review-by-douglas-payne.php
Personnel: Conrad Herwig - trombone, musical director; Brian Lynch - trumpet; Alex Sippiagin - trumpet; Mike Ponella - trumpet; Ray Vega - trumpet; Dave Valentin - concert flute, alto flute, bass flute; Ronnie Cuber - baritone saxophone; Gary Smulyan - baritone saxophone; Danilo Pérez - piano; Eddie Palmieri - piano; Edward Simon - piano; Richie Beirach - piano; John Benitez - bass; Andy González - bass; Adam Cruz - drums; Jose Clausell - timbales, percussion; Richie Flores - congas; Milton Cardona - vocals, bata, congas, percussion; John Coltrane - tribute to, composer
Personnel: Conrad Herwig - trombone, musical director; Brian Lynch - trumpet; Alex Sippiagin - trumpet; Mike Ponella - trumpet; Ray Vega - trumpet; Dave Valentin - concert flute, alto flute, bass flute; Ronnie Cuber - baritone saxophone; Gary Smulyan - baritone saxophone; Danilo Pérez - piano; Eddie Palmieri - piano; Edward Simon - piano; Richie Beirach - piano; John Benitez - bass; Andy González - bass; Adam Cruz - drums; Jose Clausell - timbales, percussion; Richie Flores - congas; Milton Cardona - vocals, bata, congas, percussion; John Coltrane - tribute to, composer
The Latin Side of John Coltrane
Would it be possible to re-up Conrad Herwig, The Latin Side of John Coltrane? Thanking you in advance.
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DeleteThank you.Appreciate your reposting.
ReplyDeleteVery nice. Herwig always issues fine albums. Thanks, Giullia.
ReplyDeleteThank you Pmac!
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