Saturday, November 12, 2022

Rosemary Clooney With the L.A. Jazz Choir - Sings Rodgers, Hart & Hammerstein

Styles: Vocal
Year: 1990
File: MP3@320K/s
Time: 51:24
Size: 118,4 MB
Art: Front

(2:15) 1. Oh, What A Beautiful Morning
(4:55) 2. People Will Say We're In Love
(3:47) 3. Love, Look Away
(6:07) 4. The Gentleman Is A Dope
(2:54) 5. It Might As Well Be Spring
(6:22) 6. The Sweetest Sounds
(3:10) 7. I Could Write A Book
(3:59) 8. You Took Advantage Of Me
(5:58) 9. The Lady Is A Tramp
(4:34) 10. Little Girl Blue
(4:01) 11. My Romance
(3:15) 12. Yours Sincerely

This Rosemary Clooney recording differs from all of her previous Concord albums in that she is joined by the L.A. Jazz Choir (a 12-voice group) on half of the dozen selections. The choral backing is a bit of an acquired taste for jazz listeners but Clooney's backup sextet does consist of tenor saxophonist Scott Hamilton, trumpeter Jack Sheldon (who helps out Clooney with his vocal on "People Will Say We're in Love"), trombonist Chauncey Welsch, pianist John Oddo (who is responsible for both the choral and instrumental arrangements), bassist John Clayton and drummer Joe LaBarbera.

Clooney interprets the music of Richard Rodgers and lyrics which are split almost evenly between Lorenz Hart and Oscar Hammerstein. Most of the tunes are fairly well-known (including "It Might as Well Be Spring," "I Could Write a Book," "You Took Advantage of Me" and "My Romance") but Rosemary Clooney makes them sound fresh and alive.By Scott Yanow https://www.allmusic.com/album/sings-rodgers-hart-hammerstein-mw0000207686

Personnel: Rosemary Clooney – vocals; Jack Sheldon – trumpet, vocal (track 2); Chauncey Welsch – trombone; Warren Vaché Jr. – cornet; Scott Hamilton – tenor saxophone; John Oddo – piano, vocal and instrumental arrangements; John Clayton – bass; Joe LaBarbera – drums; The L.A. Jazz Choir – vocals (tracks 1,3,7,10-12)

Sings Rodgers, Hart & Hammerstein

3 comments:

  1. Quite an inspired pairing - thanks, Giullia!

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  2. This 1990 release by Rosemary Clooney and company is first-rate and it comes as no surprise.

    Almost everything Clooney released on the Concord label in the '80s and '90s is must-hear music for vocal jazz fans. This especially goes for the CDs she came out with at the turn of the 1990s: "Girl Singer," "For The Duration," and "Do You Miss New York?"

    I'd missed this CD when it came out. In fact, I'd never even seen it in stores. But as soon as I saw the "1990" date on this blog I knew I was in for a treat. I was not disappointed.

    Some artists have "hot" periods, and they usually come early on. But Rosemary Clooney's best period came toward the end of her life. I would urge fans of vocal jazz to check out these albums -- they're better than many of the early singles for which Clooney is best known.

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