Year: 2024
Time: 58:30
File: MP3 @ 320K/s
Size: 134,5 MB
Art: Front
(5:51) 1. Man In The Mirror
(5:18) 2. Pensri
(5:57) 3. Hummingbirds At Balata Garden
(6:16) 4. Time Has Changed
(5:40) 5. Caipirinha
(6:12) 6. Will You Still Love Me Tomorrow
(5:35) 7. You're Getting To Be A Habit With Me
(5:59) 8. Theme For Ernie
(6:10) 9. Imagination
(5:26) 10. Pearls
Time Has Changed is the second recording as leader by trumpeter Win Pongsakorn who was born in Bangkok, Thailand, but has been firmly wedded to American-style contemporary jazz since he started playing trumpet at age fourteen in 2011. As on his debut album, Yes, It Is! (Cellar Music, 2020), Pongsakorn is backed by a stellar rhythm section overseen by the elebrated pianist David Hazeltine with Paolo Benedettini on bass and Jason Brown on drums.
Unlike that initial enterprise, on which Pongsakorn composed seven of eight numbers, he has written only four (of ten) this time around—including the next four in a row after Glen Ballard and Sarah Garrett's opening theme, the trim and handsome "Man in the Mirror." Besides the graceful title song, they include the waltz-like "Pensri," gently swaying "Hummingbirds at Balata Garden" and limber "Caipirinha." Pongsakorn then turns elsewhere with largely admirable results, covering Carole King's "Will You Still Love Me Tomorrow," the standard "You're Getting to Be a Habit with Me," Fred Lacey's pensive "Theme for Ernie" and "Imagination" (not the standard) before closing with Hazeltine's sleek and shiny "Pearls."
Much of the rationale for the complimentary appraisal rests on Pongsakorn's singular ability to embrace and enhance the heart and soul within any song, owing to his keen and soulful approach. In reviews of his earlier album, Pongsakorn was compared to such masters as Blue Mitchell, Carmell Jones and Bobby Shew, among others, and he offers no reason to amend that opinion. The phrases are logical and clean, the tone is pure, and the improvisations are sharp and perceptive. An impartial listener might arguably contend that Pongsakorn plays older than his age, which is not yet thirty.
Ponsakorn also benefits from the expertise of his rhythm section, which not only provides staunch and unerring support but shares solo honors on most tracks, with Hazeltine, as always, especially creative and pleasing. Anyone who may have expected a sophomore slump from Pongsakorn will find no trace of one here. Yes, Time Has Changed, but that alteration has done nothing to lessen Pongsakorn's skills or demeanor. Indeed, based on the evidence presented here, a persuasive argument could be made that he is becoming an even more focused and inventive artist as time goes by. By Jack Bowers https://www.allaboutjazz.com/time-has-changed-win-pongsakorn-cellar-music-group
Personnel: Win Pongsakorn – Trumpet; David Hazeltine – Piano; Paolo Benedettini – Double Bass; Jason Brown – Drums
Unlike that initial enterprise, on which Pongsakorn composed seven of eight numbers, he has written only four (of ten) this time around—including the next four in a row after Glen Ballard and Sarah Garrett's opening theme, the trim and handsome "Man in the Mirror." Besides the graceful title song, they include the waltz-like "Pensri," gently swaying "Hummingbirds at Balata Garden" and limber "Caipirinha." Pongsakorn then turns elsewhere with largely admirable results, covering Carole King's "Will You Still Love Me Tomorrow," the standard "You're Getting to Be a Habit with Me," Fred Lacey's pensive "Theme for Ernie" and "Imagination" (not the standard) before closing with Hazeltine's sleek and shiny "Pearls."
Much of the rationale for the complimentary appraisal rests on Pongsakorn's singular ability to embrace and enhance the heart and soul within any song, owing to his keen and soulful approach. In reviews of his earlier album, Pongsakorn was compared to such masters as Blue Mitchell, Carmell Jones and Bobby Shew, among others, and he offers no reason to amend that opinion. The phrases are logical and clean, the tone is pure, and the improvisations are sharp and perceptive. An impartial listener might arguably contend that Pongsakorn plays older than his age, which is not yet thirty.
Ponsakorn also benefits from the expertise of his rhythm section, which not only provides staunch and unerring support but shares solo honors on most tracks, with Hazeltine, as always, especially creative and pleasing. Anyone who may have expected a sophomore slump from Pongsakorn will find no trace of one here. Yes, Time Has Changed, but that alteration has done nothing to lessen Pongsakorn's skills or demeanor. Indeed, based on the evidence presented here, a persuasive argument could be made that he is becoming an even more focused and inventive artist as time goes by. By Jack Bowers https://www.allaboutjazz.com/time-has-changed-win-pongsakorn-cellar-music-group
Personnel: Win Pongsakorn – Trumpet; David Hazeltine – Piano; Paolo Benedettini – Double Bass; Jason Brown – Drums
Time Has Changed
No comments:
Post a Comment
ALWAYS include your name/nick/aka/anything!