David Arkenstone - Caribbean Nights

Bitrate: 320K/s
Time: 45:12
Size: 103.5 MB
Styles: New Age, Easy Listening
Year: 2009
Art: Front

[4:38] 1. Sunset Cruise
[4:19] 2. Enchanted Night
[4:50] 3. Midnight Moon
[4:25] 4. Island Time
[4:27] 5. Jasmine Breeze
[4:38] 6. Under The Mango Tree
[4:19] 7. Moonlight Dance
[4:30] 8. Sandy Toes
[4:25] 9. Sunset Beach
[4:37] 10. Isla De La Fiesta

An instrumental, tropical escape. Composer: David Arkenstone. Personnel: David Arkenstone (guitar, marimba, percussion); Susan Craig Winsberg (flute, pennywhistle); Clinton Crawford (steel drum).

After coming to California from rural Chicago at age 10, David immersed himself in all the music he could find. Spending high school and college in various bands and performance groups, he then criss-crossed the country several times playing popular music. He finally settled down to concentrate on developing his own sound, and when computers and instruments could finally communicate to each other, David knew his time had come. He could now hear a good portion of what he could imagine.

"Technology has produced some wonderful tools for making music. The computer allows me to fully orchestrate my pieces and really fine tune them," said David. David's music has recently been described as Cinematic new age rock. "It is sometimes difficult to categorize my music and this is a term I can live with," David responded. "I enjoy bringing many different influences together in my music," he continues. World music, classical rock, and new age are some of the styles I draw from and enjoy weaving into an entertaining and adventurous whole. "I have always loved the sound of the orchestra. Now I believe I have refined a wonderful blend combining the best elements of the acoustic world, with the electronic world."

When not chained to his Apple Macintosh composing, David likes to play baseball, create 3-D art projects, and write screenplays.

Caribbean Nights

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Gloria Estefan - The Standards (Deluxe Edition)

Styles: Jazz Vocals
Year: 2013
File: MP3@320K/s
Time: 82:28
Size: 188,8 MB
Art: Front

(4:21)  1. Good Morning Heartache
(4:02)  2. They Can't Take That Away from Me
(3:41)  3. What a Difference a Day Makes
(4:10)  4. I've Grown Accustomed to His Face
(3:35)  5. Eu Sei Que Vou Te Amar
(4:50)  6. The Day You Say You Love Me
(3:58)  7. Embraceable You
(4:11)  8. What a Wonderful World
(4:26)  9. Call Me Irresponsible
(4:14) 10. How Long Has This Been Going On
(3:41) 11. Sonríe (feat. Laura Pausini)
(4:06) 12. The Way You Look Tonight
(3:58) 13. You Made Me Love You
(4:18) 14. For All We Know
(4:08) 15. Young at Heart
(3:41) 16. Smile
(4:52) 17. El Día Que Me Quieras
(3:41) 18. Sorridi (feat. Laura Pausini)
(3:35) 19. Yo Sé Te Voy a Amar
(4:51) 20. Natural Woman (feat. Carole King)

Global star Gloria Estefan has returned to her longtime label, Sony Music Entertainment, for a multi-album agreement that begins with the release of her upcoming English-language album, "The Standards," due out this Fall.

As its name implies, the album is a set of American standards, but the repertoire included has special significance to Estefan, beginning with "The Way You Look Tonight" and "Good Morning Heartache," which she performed at her very first "Tonight Show" appearance in 1985 with Miami Sound Machine.

Estefan spent 30 years in Sony, releasing albums in both English and Spanish, both as a soloist and with Miami Sound Machine. Then, in 2011, she took a hiatus and released "Miss Little Havana" via a worldwide distribution and marketing deal with Verve Forecast & Universal Music Group. In the U.S., the physical album was sold exclusively through Target. Now, Estefan has returned to Sony and will be worked through both its Latin and Masterworks arms.

"Gloria is one-of-a-kind in any language, in any genre," said Afo Verde, Chairman and CEO of Sony Music Entertainment for the Latin Region, Spain and Portugal. "Masterworks is thrilled to be a marketing partner with Sony Latin and Gloria Estefan on this very special project," added Bogdan Roscic, President of Sony Classical and Sony Masterworks. "It represents another landmark in the career of an artist who continues to be a creative inspiration in all styles of popular music."  http://www.billboard.com/articles/columns/latin-notas/1555881/gloria-estefan-returns-to-sony-will-release-standards-album-in

The Standards (Deluxe Edition)

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Jim Rotondi - Iron Man

Styles: Trumpet Jazz
Year: 2005
File: MP3@320K/s
Time: 60:40
Size: 138,9 MB
Art: Front + Back

(5:36)  1. Iron Man
(7:52)  2. Chouchou
(7:05)  3. For My Nephews
(6:25)  4. Embraceable You
(7:21)  5. Digit
(8:56)  6. Repetition
(8:47)  7. Mr. Craignos
(8:33)  8. Power

Trumpeter Jim Rotondi has been a fixture on New York's hard bop scene for some time, and has recorded extensively as both a sideman and leader. But Iron Man is something of a departure for him; in addition to a front line consisting of Rotondi and saxophonist Jimmy Greene, his quintet includes a rhythm section consisting of bassist Doug Weiss, drummer Bill Stewart, and vibraphonist Steve Nelson. Having vibes without piano lends an unusual tonal color to the group, and if the result isn't a completely unqualified success, it does succeed more than it fails. Things get off to a slightly awkward start with the title track, a lovely Rotondi original that is marred by Nelson's blocky and rhythmically clumsy comping. But the whole group settles nicely into the slippery chord changes of "Chouchou" and the equally beautiful "For My Nephews." Rotondi's "Digit" is a bracing and harmonically complex hard bop workout that brings just the right note of energy at exactly the right point in the program; the group's rendition of "Repetition" is another beautiful high point. Throughout the album, Rotondi's soft-edged but beautifully burnished tone is a complete pleasure to hear. Recommended. ~Rick Anderson  http://www.allmusic.com/album/iron-man-mw0000720109  

Iron Man          

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Halie Loren - Simply Love

Styles: Jazz Vocals
Year: 2013
File: MP3@320K/s
Time: 51:41
Size: 118,3 MB
Art: Front

(4:36)  1. For Sentimental Reasons
(5:02)  2. Cuando Bailamos
(3:24)  3. L-O-V-E
(3:11)  4. On the Sunny Side of the Street
(3:52)  5. I Feel the Earth Move
(4:47)  6. My Funny Valentine
(4:13)  7. I'Ve Got To See You Again
(3:29)  8. Le Premier Bonheur Du Jour
(3:46)  9. Moon River
(3:47) 10. Bare Feet
(3:19) 11. Happy Together
(4:17) 12. Dream a Little Dream of Me
(3:53) 13. Simply Love

The core element of vocal artistry is the ability to capture the essence of a song and interpret it in a way that is totally personal, highly compelling and intended to make the composer smile in agreement. The outstanding jazz vocalist Halie Loren does all of that, as her latest Justin Time Records release, Simply Love (available September 10), vividly demonstrates. It also provides a clear understanding as to why she's received so many critical accolades and worldwide popularity. At 28-years-old, the multi-lingual vocalist has performed at major festivals and in sold-out concert halls in North America, Asia and Europe. In July of 2012, Loren traveled to Palermo, Italy to perform as a featured soloist with the Orchestra Jazz Siciliana. She has recorded seven critically acclaimed albums garnering best song and best album awards, while consistently placing at the top of the jazz charts in Japan. Simply Love is her third release on Justin Time Records. "With Simply Love, I wanted to meet the mood of the season," the Eugene, Oregon-based songstress says. "What kind of soundtrack would I want to listen to in the warmer months?" There is an intimacy in her singing that makes the listeners feel that her message is only intended for their own ears, heart and soul. 

With a voice that is so warmly and deeply lyrical, and an ability to articulate lyrics that draws every iota of meaning out of each syllable, Loren accomplishes what every singer strives for - to make every song, regardless of who wrote it or performed it previously, entirely her own.  "Synergy is so essential to my music" Loren explains, "and this longevity has really helped us to achieve that over all these years. http://www.justin-time.com/albums.php?lang=en&pid=5871&aid=384&anid=8581

Simply Love

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Michiel Borstlap - North Sea Jazz Legendary Concerts

Styles: Piano Jazz
Year: 2013
File: MP3@320K/s
Time: 61:30
Size: 142,3 MB
Art: Front

( 8:48)  1. North Sea Beat
(10:49)  2. Mr. Gone
(12:39)  3. Ankara
( 5:21)  4. Joe's Will
( 7:24)  5. My Dear
( 9:16)  6. Volcano for Hire
( 7:10)  7. Of All People

Michiel Borstlap was born in the Netherlands into a family that loved and constantly listened to music. “At the age of four I heard a piano and fell in love,” he says. “After that I always dreamed about making a career in music. My mother loved Oscar Peterson, Chopin, and Gustav Mahler and my dad loved Thelonious Monk, Bach, Strawinsky and Jimi Hendrix. That was my musical education! I owe my parents big-time for their love of music, which they shared with me at such a young age. My dad is a contemporary composer, my mom a classical trained pianist and my sister plays both violin and piano. Michiel moved quickly from dreaming to reality, graduating with highest honours at Hilversum Conservatory in 1992 and earning Best Soloist honours at the European Contest the same year. Four years later came the Thelonious Monk Award and then a range of successful collaborations with legends like Herbie Hancock, Bill Bruford, Gino Vannelli, Wayne Shorter and others. Borstlap has released eight albums under his own name and has written numerous compositions for other groups. 

In fact, Borstlap is a natural at both composing and performing. When I ask which of these two is more important to him, his answer is simple: “To compose or to improvise is the same, except for the timeframe. Improvising happens in split seconds, composing lasts much longer. I could be happy with just a piano, but somehow I need a stage. On stage there is electricity. I ask Michiel to define music and he says, “Music is freedom, a most beautiful thing. I love freedom. It’s a unique feeling to go with your head full of music and improvise for an audience. In 2008 Michiel Borstlap composed also his first soundtrack for the Dutch movie ‘Tiramisu’. The score received a Golden Calf, the Grand Prize of Dutch Film Industry. In 2009 he won an Edison for his Monk album. Throughout the years he worked together with such great artists such as Herbie Hancock, Wayne Shorter, Pat Metheny, Bill Bruford, Janine Jansen, Gino Vannelli & Assala Nasri. Michiel Borstlap won the Europe Jazz Award 1992, the Thelonious Monk Award 1996, a Golden Calf (Dutch Grand Prize from Netherland Film Industry) and Edison Award 2008. The esteemed pianist played concerts around the world, 63 countries and counting, and his albums are available in Europe, North America and Japan, as well as digital platforms like iTunes and Spotify. In 2012 he signed an exclusive contract with BMG. He presents a weekly prime time radio show on Classic FM, starting may 2013. Since 2010 Michiel Borstlap plays solo concerts. His albums 'SOLO 2010' and 'Blue' created a new audience for one of the premier contemporary pianists of Europe.

~Bio http://www.michielborstlap.com/index.php/michiel.

Personnel : Michiel Borstlap – piano; Jimmy Haslip – bass; Hans Eykenaar – drums; Tom Beek – saxophone; Jesse van Ruller – guitar;  Ruud Breuls – trumpet;  Jerome Hol – guitar;  Leonardo Amuedo – guitar; Trijntje Oosterhuis - vocals

North Sea Jazz Legendary Concerts

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The Arbors All Stars - Pizzarelli Party

Bitrate: 320K/s
Time: 69:03
Size: 158.1 MB
Styles: Swing, Vocal jazz
Year: 2009
Art: Front

[ 3:14] 1. We Take On The Town
[ 7:26] 2. Strollin' Over To Nola (Gonna Play Some Blues)
[ 8:04] 3. Oh, Lady Be Good!
[ 4:46] 4. Wrap Your Troubles In Dreams
[10:33] 5. Sweet & Lovely
[ 2:55] 6. Joe & Zoot
[ 3:20] 7. I'm Making Believe
[ 5:45] 8. You Be The Judge
[ 6:05] 9. Somebody Call Hanly!
[ 3:26] 10. Under A Blanket Of Blue
[ 3:14] 11. Check Out This
[ 3:21] 12. I Knew Him When
[ 6:50] 13. I'll See You In My Dreams

The Arbors All Stars/The Pizzarellis: John Pizzarelli (vocals, electric guitar); Bucky Pizzarelli (acoustic guitar); Martin Pizzarelli (bass instrument). One of several projects for father and son guitarists Bucky Pizzarelli and John Pizzarelli, this effort lives up to its "party" title. It includes various sung and played show tunes, jams, and quite a few originals from the younger Pizzarelli in this famous jazz family. Martin Pizzarelli is added on bass, while vocalists John P., Rebecca Kilgore, and Jessica Molaskey convene for a three-generation front line that appears on select tracks. The potent front line is a dandy, with violinist Aaron Weinstein and tenor saxophonist Harry Allen providing the sweet harmonies and melodies, while pianist Larry Fuller adds more than ample support in the rhythm section with the guitarists. The clever songs that dominate this collection are, for the most, part endearing without being campy, while the high-level musicianship keeps things rollin' along from start to finish. Kilgore and Molaskey sing on two tunes, the cute "We Take on the Town" and the reflective standard "I Knew Him When," spanning the cunning to sad and lonely spectrum. When Weinstein and Allen play together, the result is pure attraction, whether during the easy blues "Strollin' Over to Nola," the hot and sweaty "Joe & Zoot," or the stomp down "Somebody Call Hanly," replete with hilarious "call for help" scat from John Pizzarelli. Both guitarists solo during the intro of "Sweet & Lovely" before Fuller takes over, evoking the title perfectly, while an upbeat jam on "I'll See You in My Dreams" has the band at full-bore open throttle, wittily quoting "After You've Gone." The lone feature for the elder Pizzarelli comes up on his original "Check Out This" in a daunting, easy as pie swing, while John Pizzarelli sings in his usual heartfelt, cool manner during "Under a Blanket of Blue." The recording succeeds on several levels because the program mixes up styles and soloists, with nobody really dominating, though the horns and especially the tasteful and complementary piano playing of Fuller deserve a closer listen. It's good to hear John Pizzarelli contributing new material aside from singing pop-jazz standards, and his dad is in good company with like-minded musicians from younger generations. The PIZZARELLI PARTY is one with an extended invitation to all, and comes easily recommended.

Jessica Molaskey, Rebecca Kilgore (vocals); Aaron Weinstein (violin); Harry Allen (tenor saxophone); Larry Fuller (piano); Tony Tedesco (drums).

Recording information: Nola Studios, New York, NY (01/28/2009/01/29/2009).

Pizzarelli Party

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Barbara Lusch - Surprisingly Good For You

Bitrate: 320K/s
Time: 48:41
Size: 111.5 MB
Styles: Vocal jazz
Year: 2006
Art: Front

[3:22] 1. Sentimental Journey
[4:34] 2. Crazy
[3:41] 3. I'd Be Surprisingly Good For You
[2:43] 4. I Won't Dance
[4:04] 5. Daddy
[3:41] 6. Baby Come Home
[3:53] 7. My Heart Belongs To Daddy
[5:05] 8. Don't Let Me Be Misunderstood
[3:15] 9. Why Don't You Do Right
[2:52] 10. 'tain't What You Do
[2:38] 11. Please Don't Rush Me
[4:27] 12. For All We Know
[4:20] 13. Stardust

At last here is Barbara Lusch's much-anticipated new CD, "Surprisingly Good For You". What a treasure trove of delights! Here are jewels from the American Song Book ("Stardust", "Sentimental Journey"), country classics ("Crazy"), Broadway tunes ("I'd Be Surprisingly Good For You", "I Won't Dance"), bluesy torch numbers ("Why Don't You Do Right"), all interpreted anew by Barbara and her swinging jazz backup group. Just as for her first CD, she has chosen songs that are timeless, songs that have the power to bring back memories as well as create new ones.

Her debut album ("Barbara Lusch") was widely praised internationally. It was distributed in Japan, picked up by JazzRadio Berlin for repeated plays, chosen for a Singapore compilation CD, and it drew raves from many sources:
"Barbara Lusch is a communicator. She sings with a deeply sensual vibrancy that gets right to the heart of the matter. She brings a delightful voice that's always clear and crisp. One listen and you may feel as if you've known Barbara Lusch all your life." (Jim Santella, JazzScene)
"Her first release is a knockout from start to finish. Barbara Lusch deserves to be heard!"(Phil Stout, Music Consultant at JazzRadio Berlin)
"Lusch's cool vocals fit nicely among those of contemporaries like Norah Jones and Diana Krall, and have earned comparisons to legendary chanteuses Julie London, Doris Day and Peggy Lee." (Barbara Mitchell, Portland Tribune)
"This singer has created a solo identity that's two parts classy, one part coy, with a splash of seduction and a twist of wit." (Marty Hughley, The Oregonian)
"Barbara is like that darling girl next door, now completely grown up but still keeping that little girl charm. She can win over even the most casual listener with ease, with her own brand of ultra-clean, sexy allure." (Joerg Michael Smitt, Soul Site, Germany)

Recording information: Crossroads Productions, Vancouver, WA; Kung Fu Bakery Recording Studios, Portland, OR.

Rob Thomas (violin); Gary Hobbs (drums); Carmelo Louis Torres (congas, bongos, shaker); Bobby Torres (congas).

Surprisingly Good For You

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The Red Norvo Quintet - The Red Norvo Quintet With Guest Vocalists Mavis Rivers & Ella Mae Morse

Bitrate: 320K/s
Time: 52:55
Size: 121.2 MB
Styles: Cool jazz, Vibraphone jazz
Year: 1962/1990
Art: Front

[3:21] 1. Spider's Web
[4:38] 2. What Is This Thing Called Love
[4:55] 3. Don't Get Around Much Anymore
[2:51] 4. About A Quarter To Nine
[3:56] 5. Lena And Lenny
[3:55] 6. Undecided
[4:06] 7. Rhee, O, Rhee
[2:16] 8. One Minute To One
[4:37] 9. Perdido
[4:01] 10. Lena And Lenny (Alternate)
[4:19] 11. What Is This Thing Called Love
[2:02] 12. That Old Black Magic
[3:52] 13. Don't Get Around Much Anymore
[4:00] 14. Rhee, O, Rhee (Alternate)

This CD, taken from radio transcriptions cut for the radio show "The Navy Swings," features vibraphonist Red Norvo's group in 1962, which by itself is rather notable, for Norvo made no other recordings as a leader from 1960-68.

Red's quintet (which also includes guitarist Al Viola, pianist Jack Wilson, bassist Jimmy Bond and drummer Bill Goodwin) plays very much in the cool-toned but often heated style of his earlier trios. Mavis Rivers and Ella Mae Morse take a total of three vocals, but it is the 11 instrumentals (counting four alternate takes) that are particularly memorable, most notably "Spider's Web," "Lena and Lenny" and "Rhee, O, Rhee."

The Red Norvo Quintet With Guest Vocalists Mavis Rivers & Ella Mae Morse

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Liane Carroll - Ballads

Styles: Jazz Vocals
Year: 2013
File: MP3@256K/s
Time: 47:55
Size: 87,9 MB
Art: Front

(3:28)  1. Here's to life
(5:24)  2. Goodbye
(3:07)  3. Only the lonely
(6:27)  4. Mad about the boy
(4:38)  5. You've changed
(5:01)  6. Pretending to care
(4:49)  7. Calgary Bay
(3:43)  8. My one and only love
(4:11)  9. Will you still love me tomorrow
(3:41) 10. The two lonely people
(3:22) 11. Raining in my heart

Ballads is a great title for an album full of slow tempo, beautifully arranged, songs of love and romance. So it's a perfect choice as the title for British singer Liane Carroll's album. Except that it falls way short of communicating just what an achievement this album is.

Carroll's previous album, Up And Down (Quiet Money, 2011), was a superb combination of upbeat, up-tempo numbers and emotionally intense takes on songs including "My Funny Valentine" and Tom Waits' "Take It With Me." Ballads is firmly in the latter territory. James McMillan's production is once again exemplary. It's rare to hear vocals recorded with such clarity, where every aspect of the singer's voice is open to scrutiny. It's fraught with danger: what if the singer's voice is revealed as lacking, as falling short, as weak? Daft questions in this case; the exposure simply enhances Carroll's impact.

There's so much to enjoy on Ballads: old school standards like "Only The Lonely," pop classics (Gerry Goffin and Carole King's "Will You Still Love Me Tomorrow" and Felice and Boudleaux Bryant's "It's Raining In My Heart") and lesser-known gems such as Sophie Bancroft's "Calgary Bay." There's variety, too, in Carroll's musical accompaniments. On "Will You Still Love Me Tomorrow" there's just Mark Jaimes' guitar and Kirk Whalum's tenor saxophone. On "Only The Lonely" she's joined by a big band, while on "Goodbye," "You've Changed" and "Calgary Bay" the City of Prague Philharmonic Orchestra provide the accompaniment the arrangements for all four of these numbers coming courtesy of Grammy nominated Chris Walden.

Todd Rundgren's "Pretending To Care" is a tour-de-force but it's Noel Coward's "Mad About The Boy" that shines most brightly among these jewels. It's a song with a seemingly endless ability for re-invention. Coward's performance is marvellously high camp (Marianne Faithfull's version runs it a close second); Dinah Washington can be defiant or matter-of-fact; Julie London is sultry and confident she'll make her move when she's good and ready and the boy won't stand a chance.

Carroll's performance of "Mad About The Boy" with only Gwilym Simcock's piano for company is heartbreaking. She sings as though she's aware of the futility of her desire but unwilling, or unable, to leave it behind. It shows the greatness of Coward's little ditty, the many emotions that the song can reveal and the majesty of Carroll's voice. It's just one highlight of many on this exquisite album: Ballads is a classic-in-waiting.~Bruce Lindsay  http://www.allaboutjazz.com/php/article.php?id=44432#.Ui394T-wVw8

Personnel: Liane Carroll: vocals, piano (11); James McMillan: trumpet, vibes (1), keyboard (11); Mark Edwards, piano (2, 3, 5, 6, 7, 8), celeste (1); Gwilym Simcock: piano (4); Mark Jaimes: guitar (1, 3, 9); Steve Pearce: bass (1); Roger Carey: bass (2, 5, 8); Mark Hodgson: bass (3); Chris Hill: bass (7, 11); Mark Fletcher: drums (2, 5, 8, 11); Ralph Salmins: drums (3); Kirk Whalum: tenor saxophone (9); Simon Gardner: trumpet (3); Noel Langley: trumpet (3); Andy Gathercole: trumpet (3); Andy Baxter: trumpet (3); Pete Beachill: trombone (3); Chris Dean: trombone (3); Pete North: trombone (3); Richard Whigley: trombone (3); Sammy Maine: saxophone (3); Patrick Clahar: saxophone (3); Julian Seigel: saxophone (3); Ben Castle: saxophone (3); Jamie Talbot: saxophone (3); City Of Prague Philharmonic Orchestra (2, 5, 7).

Ballads

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Lena Horne - Lovely And Alive

Styles: Vocal
Year: 1963
File: MP3@320K/s
Time: 35:50
Size: 82,9 MB
Art: Front

(2:45)  1. Concentrate on You
(3:43)  2. I Get the Blues When It Rains
(3:06)  3. I've Grown Accustomed to His Face
(2:54)  4. I Got Rhythmn
(3:30)  5. I'm Confessin'
(1:49)  6. I Want to Be Happy
(3:31)  7. I Surrender, Dear
(2:11)  8. I Found a New Baby
(3:49)  9. I Understand
(2:45) 10. I Let a Song Go out of My Heart
(2:22) 11. I Aint' Got Nobody
(3:18) 12. I Only Have Eyes For You

"This is what James Gavin has in the book about the Lovely and Alive LP:"

Horne's RCA contract ran out in 1962...most of the record buying public just wouldn't warm to her...her last LP in the RCA contract finished her run in a blaze of glory.  On LENA...LOVELY & ALIVE (arranger) Marty Paich brought out the swing in Horne that Lennie Hayton never had; no wonder the gloss of his arrangements now felt smothering to her. Hayton couldn't have generated the crackling excitment that Paich did in his updating of "I Concentrate on You"....she growled and hissed, she bit ravenously into words like "sweet" and "tender"...so much of Horne's sexy singing had been an eye-rolling put-on; this time it had a ring of truth.  So did her smoldering desperation in "I Surrender Dear."  Stereo Review: "repudiating the excesses that have frequently marred her performances before audiences, she emerges here a supreme technician with an unerring ability to extract meaning from the material...her interpretive art is so formidable that even the most ordinary lyric takes on special meaning."  LOVELY & ALIVE received two Grammy Award nominations including Best Female Pop Vocal. http://groups.yahoo.com/neo/groups/TheLenaHornePage/conversations/topics/2646 

Lovely And Alive

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Hildegunn Gjedrem - Share Your Secret

Styles: Vocal Pop
Year: 2011
File: MP3@320K/s
Time: 45:45
Size: 105,5 MB
Art: Front

(3:42)  1. Warrior Song
(4:30)  2. Love Comes Around
(3:58)  3. Hunted
(4:24)  4. Solveig's Sang
(3:28)  5. The Open Tomorrow
(3:37)  6. Just A Shiver
(5:38)  7. Share Your Secret
(3:43)  8. Nothing More
(3:22)  9. Maybe This Time
(4:33) 10. Merry Go Round
(4:46) 11. Northern Star

Born and raised in the rural southwest of Norway, Brooklyn-based vocalist and songwriter Hildegunn Gjedrem is emerging as a multi-faceted musical force.  Her new album "Share Your Secret" marks a stark departure from her previously jazz-centric career into a new world of smart, lushly arranged pop. Hildegunn left Norway in 2001 to pursue a jazz studies degree at the world-famous University of North Texas, quickly rising to faculty level and conducting several vocal jazz ensembles. While in Texas, she was awarded “Best Jazz Vocalist” by Downbeat Magazine, was granted the coveted Norwegian G9alt Scholarship of the Arts, and was a finalist in the prestigious Montreux Jazz Festival's Vocal Jazz Competition, judged by Al Jarreau. She was also a featured vocalist for the Grammy-nominated One O'Clock Lab Band. Since moving to New York City in 2009, Hildegunn's talents have been employed by celebrities such as Catherine Zeta Jones, Donald Trump, Michael Douglas, and Ralph Lauren, as well as Queen Sylvia of Denmark. She has performed with some of the city's finest jazz and pop musicians, including Travis Sullivan's Bjorkestra and ground-breaking instrumental ensemble Snarky Puppy. ~ http://hildegunn.bandcamp.com/releases

Share Your Secret

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Georges Moustaki - Solitaire

Styles: Chanson
Year: 2008
File: MP3@320K/s
Time: 35:40
Size: 81,7 MB
Art: Front

(3:03)  1. Le Temps De Nos Guitares
(3:07)  2. Sorellina
(2:53)  3. Une Fille À Bicyclette (Avec Vincent Delerm)
(2:21)  4. Mélanie Faisait L'amour
(2:32)  5. Partager Les Restes (Avec Stacey Kent)
(3:34)  6. La Jeune Fille
(3:28)  7. Ma Solitude (Avec China Forbes of Pink Martini)
(3:24)  8. L'inconsolable
(3:28)  9. Sans La Nommer (Avec Cali)
(2:20) 10. La Chanson De Jaume
(2:41) 11. Solitaire
(2:44) 12. Donne Du Rhum À Ton Homme (Avec China Forbes)

Although he achieved his greatest fame in France, singing French-language songs in a distinctly French style, singer/songwriter Georges Moustaki was more a citizen of the world or, as he often put it, a "citizen of the French language." Christening himself a cultural "mongrel" in his signature hit "Le Métèque," Moustaki's first love was the classic-style French chanson, but he often appropriated bits of world folk musics from Greece, Turkey, the Middle East, Brazil (bossa nova and MPB), Argentina (tango), and other parts of Latin America, the United States (blues and jazz), Holland, and anywhere else his travels took him. Simplicity was a hallmark of many of his own recordings; possessed of a soft, warm voice, he often sang with only his own guitar for accompaniment, creating an intimacy that translated to his live gigs as well. A successful artist in his own right, Moustaki initially made his name as a songwriter of some renown, composing material for many of the top French singers of the late '50s and '60s (including Edith Piaf's classic "Milord"). He moonlighted as a poet, actor, novelist, and journalist at various points in his career, and remained one of France's more ambitious artists as his trademark beard and long, flowing hair turned white...More Bio ~Steve Huey http://www.allmusic.com/artist/georges-moustaki-mn0000647293/biography .

2008 return of a living legend. Produced by Vincent Segal (Bumcello, M, Agnes Jaoui). 9 new songs and 3 new versions of classics. Including duets with Stacey Kent, Vincent Delerm, Cali, Pink Martini, China Forbes.~Editorial Reviews http://www.amazon.com/Solitaire-Georges-Moustaki/dp/B00176I9W2 .

Solitaire

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Antonio Forcione & Sabina Sciubba - Meet Me In London

Bitrate: 320K/s
Time: 47:37
Size: 109.0 MB
Styles: Guitar jazz, Vocal jazz
Year: 1998
Art: Front

[5:51] 1. Visions
[3:28] 2. Take Five
[5:22] 3. Caruso
[5:43] 4. Why Can't We Live Together
[5:04] 5. Night Train
[4:42] 6. Could You Believe
[5:37] 7. When We Two Parted
[6:32] 8. Brasilico
[5:13] 9. Estate

Sabina Sciubba has a warm voice and guitarist Antonio Forcione is a sympathetic accompanist who often challenges her. The duo, which is often joined by bassist Davide Mantovani and occasionally a few other musicians, performs atmospheric music that includes "Take Five," Al Jarreau's "Could You Believe," "Estate," some folk music and a few originals. Sciubba's versatile, mature, strong and sometimes-haunting voice makes this a disc worth searching for; she is a name that should be remembered. ~ Scott Yanow

Recording information: September Sound, Twickenham, London, England (10/1997-12/1997).

Antonio Forcione (guitar, nylon-string guitar); Sabina Sciubba (vocals); Adam Glasser (harmonica); Malcolm Creese (double bass); Davide Mantovani (electric bass, fretless bass); Bosco DeOliveira (percussion).

Meet Me In London

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Nat King Cole - Cole Espanol And More Vol 1

Bitrate: 320K/s
Time: 28:49
Size: 66.0 MB
Styles: Easy Listening, Vocal
Year: 1958
Art: Front

[2:48] 1. Cachito
[2:39] 2. Maria Elena
[2:43] 3. Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps)
[2:55] 4. Las Mañanitas
[2:46] 5. Acércate Más (Come Closer To Me)
[2:21] 6. El Bodeguero
[2:43] 7. Arriverderci Roma
[2:30] 8. Noche De Ronda
[2:34] 9. Tu Mi Delirio (You Are My Obsession)
[2:38] 10. Te Quiero Dijiste
[2:07] 11. Adelita

Nat King Cole addressed his growing international following with Cole Español, on which he sang in Spanish. Although he did not speak the language, he learned the song lyrics phonetically. Nine of the 11 selections had backing tracks recorded by conductor Armando Romeu, Jr., in Havana, Cuba, in February 1958, with Cole adding his vocals in Hollywood in June. The other two, "Cachito" and "Noche de Ronda," were cut with Hispanic musicians in Hollywood under the direction of Capitol Records' Dave Cavanaugh. The tunes were a mixed bag of Latin standards including Mexican mariachi music ("Adelita") and even the Italian "Arrivederci Roma" (sung in Spanish), and Cole's vocals were augmented by the Rivero Quartet and other uncredited singers. While that no doubt was intended to shore up his tentative performances, it actually showed him up, as the native Spanish singers offered a painful contrast to his own pedestrian readings of words he did not understand and pronounced with no flair. (On one track, "Tú, Mi Delirio," he abandoned the microphone for the piano to delightful effect.) Cole's singing voice was as smooth and attractive as ever, which must have helped, though, and the album's sales -- it reached the Top 20 in the U.S. and was a big hit internationally -- indicated that Spanish-speaking audiences were flattered that an American singer would try so hard to communicate with them in their own language. ~William Ruhlmann

Cole Espanol And More Vol 1

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Patricia Kaas - Mademoiselle N'A Pas Chanté Que Le Blues

Styles: Chanson
Year: 2012
File: MP3@320K/s
Time: 59:24
Size: 136,0 MB
Art: Front

(3:29)  1. Une fille de l'est
(3:58)  2. C'est la faute à la vie
(2:13)  3. Summertime
(4:18)  4. Mon mec à moi
(3:19)  5. Mne nravitsya
(4:43)  6. Il me dit que je suis belle
(3:49)  7. Peut-être que peut-être
(4:04)  8. Entrer dans la lumière
(4:10)  9. If You Go Away (Ne quitte pas)
(3:01) 10. Et s'il fallait le faire
(3:56) 11. D'allemagne
(3:49) 12. Où sont les hommes ?
(3:52) 13. Si tu rêves
(4:20) 14. Je voudrais la connaítre
(5:24) 15. Mademoiselle chante le blues
(0:53) 16. Lili Marleen (L'ange bleu)

MONTREAL - Patricia Kaas returns with the compilation “Mademoiselle n’a pas chanté que le blues” which measures the entire journey in 25 years by the singer with unique voice. Discovered in 1985 by Gerard Depardieu it was his wife, Elizabeth, who contributed to the release of “Jalouse”, Patricia Kaas first song hummed by the French. Since then, Patricia Kaas has traveled the world singing in several languages (French, English, German, Russian) and sold 17 million albums. This compilation also reflects the cultural broth. We not only find success like “Mademoiselle chante le blues” and “Mon mec à moi”, but also other ones in the three languages that allowed her to conquer territories outside the Francophonie. Jean-Jacques Goldman gave her a new composition of his own, “C’est la faute à la vie”, he has himself taken in a studio with the French diva. (Translated using  Google Translator)  http://fr.canoe.ca/divertissement/musique/nouvelles/2011/09/29/18756746-qmi.html.

Mademoiselle n'a pas chanté que le blues

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Kate McGarry - Girl Talk

Styles: Jazz Vocals
Year: 2012
File: MP3@320K/s
Time: 44:46
Size: 103,6 MB
Art: Front

(5:43)  1. We Kiss In A Shadow
(5:36)  2. Girl Talk
(2:17)  3. I Just Found Out About Love
(4:50)  4. The Man I Love
(5:38)  5. O Cantador
(4:25)  6. This Heart Of Mine
(2:34)  7. I Know That You Know
(5:39)  8. Looking Back
(4:49)  9. Charade
(3:10) 10. It's A Wonderful World

There are many reasons to like vocalist Kate McGarry's Girl Talk. There's the lively set list, first of all a mix of all-too-well-known and too-little-known standards, with a fine Brazilian number thrown in. There's the uniform excellence of the band: witness Gary Versace's idiomatic organ accompaniment on "Girl Talk"; guitarist Keith Ganz sensitive throughout, but especially on the forlorn folk tune "Looking Back"; the stately Brazilian duet "O Cantador," with Kurt Elling; and bassist Reuben Rogers' nice feature on "I Just Found Out About Love." McGarry herself approaches every mood and tempo with ease and assurance. 

Her bluesy reading of the title tune, for example, with its hopelessly sexist lyric ("the weaker sex, the speaker sex"), coos and flirts, but winks at every turn in the direction of Betty Carter's feminist deconstruction from Finally (Roulette, 1969). There's all that, and there's McGarry's subtle and important contribution to the long co-evolution of jazz and rock 'n' roll. On the one hand, there are jazz players playing rock 'n' roll tunes, like pianist Herbie Hancock's The New Standard (Verve, 1996). On the other, there are players who incorporate rock 'n' roll textures, techniques, preferences and norms into jazz performance. In recent years, the best example may be bassist Todd Sickafoose, who marvelously described his musical approach in an AAJ interview as "[Duke Ellington's] 'Black and Tan Fantasy,' as played by John [Lennon] and Paul [McCartney]." The first of these tendencies is, in part, a way of dealing with the depletion of the repertoire: how many times can you squeeze meaning out of "All The Things You Are"? Why not do some Nirvana numbers instead? McGarry has played this side of the fence: she garnered notice years back with a plaintive version of The Cars' "Just What I Needed." The second tendency is more complex, and has to do with the necessary regeneration and renewal of musical materials in jazz. 

And it's here that McGarry's contribution is most vivid on this record. The repertoire and the instrumentation fit comfortably in the jazz canon. But McGarry's singing and, to a lesser degree, the acoustic guitar speak to an audience as familiar with Joni Mitchell and Rickie Lee Jones as with Betty Carter. Of course, one need only compare the singing and compositions of Mitchell and Jones to the work of a more traditional folk singer like Joan Baez to recognize that they long ago merged jazz sensibilities into their folk music. McGarry, accordingly, infuses the jazz repertoire with this same jazz-folk sensibility nowhere more evidently than on the masterful version of "The Man I Love." In some ways, McGarry follows the lead of Carter (again), whose glacially paced interpretation on Look What I Got! (Verve, 1988) is similarly bleak. At the same time, and particularly in her soaring vocal coda, McGarry plumbs the Mitchell-Jones vocal groove. In so doing, she manages to convey both whispery fragility and tremendous power; a remarkable performance.~Jeff Dayton-Johnson 

http://www.allaboutjazz.com/php/article.php?id=42024#.UiSupT-wVw8

Personnel: Kate McGarry: vocals; Keith Ganz: guitar; Gary Versace: organ; Reuben Rogers: bass; Clarence Penn: drums and percussion; Kurt Elling: vocals 

Girl Talk

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Pat Martino - Alone Together

Styles: Jazz
Year: 2012
File: MP3@320K/s
Time: 55:31
Size: 127,7 MB
Art: Front

(5:29)  1. Four on Six
(7:55)  2. Alone Together
(3:15)  3. What are You Doing the Rest of Your Life
(6:48)  4. Sunny
(7:30)  5. Left...or Right
(6:14)  6. The Visit
(9:58)  7. One for My Baby
(8:19)  8.  Israfel

Pat Martino is a legend for more than his speed-demon virtuosity at high-velocity tempos or his angelic harmonies on ballads. He has also faced death several times and tells the tale of his survival and recovery with a perspective akin to a zen master. These recordings from Martino's personal collection document the easy interplay and chemistry that he had forged with rhythm guitarist Bobby Rose on their first duet tour during the summer of 1977. Both men were at the very peak of their powers during these years and we are fortunate to have these superb performances preserved for posterity. ~Editorial Review http://www.amazon.com/Alone-Together-Pat-Martino/dp/B008DL4EPK

Alone Together

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Nina Simone - Nina Simone Sings The Blues

Bitrate: 320K/s

Time: 37:31

Size: 85.9 MB

Styles: Jazz/blues vocals

Year: 1967/2006

Art: Front

[2:43] 1. Do I Move You?

[2:32] 2. Day And Night

[2:55] 3. In The Dark

[2:19] 4. Real Real

[4:15] 5. My Man's Gone Now

[2:28] 6. Backlash Blues

[2:31] 7. I Want A Little Sugar In My Bowl

[1:50] 8. Buck

[2:49] 9. Since I Fell For You

[3:50] 10. The House Of The Rising Sun

[3:56] 11. Blues For Mama

[2:16] 12. Do I Move You (version 2)

[3:01] 13. Whatever I Am (You Made Me)

Originally released in 1967, SINGS THE BLUES marks the beginning of Nina Simone's tenure on the RCA label. True to its title, the album is steeped in the blues, with Simone's passionate vocals and nuanced piano lines evoking a beautifully bittersweet world of sultry love and inevitable heartache. Backed on many tracks by an ensemble that's intuitive enough to play it loose, Simone settles into a deep groove on songs such as the stirring "Do I Move You?" and the slowburning "In the Dark," while getting lightly funky on "Day and Night." The record's showstopper, however, is a haunting solo rendition of "My Man's Gone Now," one of the most powerful versions of the Gershwin classic ever recorded. A fascinating snapshot of the legendary performer, SINGS THE BLUES is an essential Simone album. Entertainment Weekly (p.68) - "With its blues-guitar vamps, harmonica wails and Willie Dixon remake, 1967's SINGS THE BLUES lives up to its title."

Nina Simone Sings The Blues

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Q'd Up - Q'd Up 3

Bitrate: 320K/s
Time: 72:34
Size: 166.1 MB
Styles: Cool jazz, Vocal jazz
Year: 2006
Art: Front

[5:15] 1. The Dayley Dash
[5:16] 2. In A Mellow Tone
[7:01] 3. Yoruba Land
[6:33] 4. Sole Marks
[6:57] 5. Take A Break, Jake
[4:40] 6. In Another Time And Place
[7:12] 7. Perilous Passage
[5:46] 8. Amazon Rhapsody
[7:55] 9. Your Heart's Timeless Charms
[3:16] 10. Right-Side Drive
[6:13] 11. Blue Daniel
[5:31] 12. Gee Baby, Ain't I Good To You
[0:53] 13. Farewell Fontana

Q’d Up has a unique and infectious sound that is a product of the personalities of the players, the arrangements and compositions of Steve Lindeman and Jay Lawrence and Kelly Eisenhour, the blend of a wide variety of sounds and styles stemming from the impressive versatility of each of the group members, and the energy and synergy that come with the love of the music and of each other. Q’d Up has existed in various incarnations since 1983 and has established itself as a musical force in Utah and the West. Quintessential is the fourth CD project since the group began using the Q’d Up name. The first is self-titled Q’d Up. The second is SQ’d Horizons, and the third is simplyQ’d Up 3. The second, third, and fourth albums include vocals by Kelly Eisenhour, and the third album also includes the amazing trombone wizardry of Andy Martin, top call trombonist from Los Angeles. The CD’s have received much critical acclaim and have enjoyed considerable airplay around the country.

Q'd Up 3

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Gerry Mulligan & Jane Duboc - Paraiso

Styles: Brazilian Jazz
Label: Telarc Distribution
Year: 1993
File: MP3@320K/s
Time: 59:55
Size: 137,2 MB
Art: Front + Back

(5:36)  1. Paraiso
(4:10)  2. No Rio
(5:39)  3. Sob a Estrela
(5:06)  4. O Bom Alvinho
(8:25)  5. Willow Tree
(6:15)  6. Bordado
(5:05)  7. Tarde Em Itapoan
(5:55)  8. Amor Em Paz
(4:31)  9. Wave
(4:31) 10. Tema pra Jobim
(4:35) 11. North Atlantic Run

Although baritonist Gerry Mulligan is listed as the leader of this date, vocalist Jane Duboc is really the main star. The Brazilian-oriented set consists of eight Mulligan originals (including "Tema Pra Jobim," which finds him switching to piano, and "Willow Tree") and three other numbers, with "Wave" being the only standard. Duboc sings well, although her voice never sticks in one's mind, and Mulligan has short solos and mostly sticks to the background; they are joined by a couple of Brazilian rhythm sections. Pleasant music that mostly stands out as a historical curiosity in Gerry Mulligan's discography.~Scott Yanow http://www.allmusic.com/album/paraiso-jazz-brazil-mw0000113076 .

Personnel: Jane Duboc (vocals); Emanuel Moreira (guitar); Gerry Mulligan (baritone saxophone); Clifford Korman, Charlie Ernst (piano); Duduka Da Fonseca, Peter Grant (drums); Norberto Goldberg, Valtinho Anastacio (percussion). Arranger: Gerry Mulligan. Personnel: Gerry Mulligan (baritone saxophone), Jane Duboc (vocals), Emanual Moreira (guitar), Charlie Ernst, Cliff Korman (piano), Rogerio Maio, Leo Traversa (bass), Duduka DaFonesca, Peter Grant (drums), Norberto Goldberg (percussion).

Recorded at Clinton Recording Studios, Studio A, New York from July 5-7, 1993.

Paraiso

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