Denise King & Hammond Groovers - Tell Me When

Styles: Vocal
Year: 2017
File: MP3@320K/s
Time: 44:24
Size: 102,0 MB
Art: Front

(5:12)  1. I Only Have Eyes for You
(5:01)  2. Quando, quando, quando
(2:59)  3. Avalon
(8:04)  4. Polkadots and Moonbeams
(7:24)  5. Just Friends
(5:29)  6. Georgia on My Mind
(6:01)  7. Sweetie Pie  Private Matters
(4:10)  8. Body and Soul

Friday, March 17 back to Summarte of Somma Vesuviana appointment of a new music festival " Jazz  & Codfish" curated by Elio Coppola drummer in collaboration with the Association Musicology. To get on the stage of Via Roma will be Denise King & Hammond Groovers ( Denise King, voice; Daniele Cordisco, guitar; Antonio Caps, Hammond; Elio Coppola, drums) . For the occasion will be presented the new album entitled "Tell Me When".

"Jazz  & Codfish", now in its third year, this year is enriched by the new point radio collaboration, media partners of each event. The purpose of the evening is to combine good music played by big names in the panorama of  jazz  to the taste of the culinary tradition. To the rhythm of " Jazz & Codfish", they return to the table also the chef's dishes of 800 Bourbon, all made from salt cod, as dictated by tradition Sommese.Delicacies that the audience will taste the coffee Chantal before each performance. The pictures of all events will be made by Spectrafoto. Dinner at 21, start at 22:15 concert.

Denise King - His concerts are a full immersion of jazz, rithm & blues, gospel soule. His voice wonderfully harmonious, refined, elegant notes of all, produces an intense musical energy charge of an overwhelming feeling and capable of fusing different styles in perfect Afro-American tradition. Discovered by Dexter Wansel, producer, arranger and director of the Philadelphia International Records, Denise King has conquered the public with four CDs of success and masterful live show in the most prestigious jazz clubs, festivals and Philadelphia theaters, Atlantic City and New York. Among the many projects and collaborations are international musicians such as Bobby Durham, Archie Shepp, Mickey Roker, Roy Hargrove, Christian McBride, Orrin Evans, Uri Caine, McCoy Tyner and the big stars of Ruth Brown blues and Koko Taylor to the pop star's likes of Billy Paul and Céline Dion. Denise likes to swing and is able to engage the audience with his music, especially when singing ballads. The last project he is currently working on is a tribute to the singer who most inspired her, Sarah Vaughan. For Jazz & Codfish will be accompanied by HAMMOND Groovers that the talented and award-winning DANIELE CORDISCO on guitar, Hammond organ virtuoso ANTONIO CAPS and talented rummer ELIO COPPOLA. The group will celebrate the release of the album "Tell Me When" of which will be possible to purchase an autographed copy.
http://www.terranostranews.it/2017/03/15/al-summarte-denise-king-hammond-groovers-presentano-tell-when/

Personnel:  Denise King, voice; Daniele Cordisco, guitar; Antonio Caps, Hammond; Elio Coppola, drums

Tell Me When

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Alex Sipiagin Quintet - Steppin' Zone

Styles: Trumpet Jazz
Year: 2000
File: MP3@320K/s
Time: 61:16
Size: 140,6 MB
Art: Front

( 5:17) 1. Catalyst (Take 1)
( 7:56) 2. Room 28
( 8:21) 3. Steppin' Zone
(11:13) 4. Spacing
( 8:14) 5. Missouri Uncompromised
( 6:41) 6. Moonstone
( 8:38) 7. Conception
( 4:51) 8. Catalyst (Take 2)

Trumpeter Alex Sipiagin, one of the mainstays of the Mingus Big Band, has some distinguished company on his Criss Cross debut: Chris Potter on tenor sax, David Kikoski on piano, Scott Colley on bass, and Jeff "Tain" Watts on drums. It's highly unlikely that an A-list quintet such as this would let listeners down and, sure enough, the disc swings like crazy from beginning to end. The program is bookended by two takes of Colley's "Catalyst," which the bassist also recorded for his Portable Universe album.

Other highlights include the difficult and seldom-covered "Missouri Uncompromised" by Pat Metheny, Sipiagin's steady-burning "Room 28," and a long take of Kikoski's harmonically free "Spacing." The group slows things down with Toninho Horta's "Moonstone" and the leader's lilting title track. (Their odd-metered interpretation of George Shearing's "Conception" is strikingly similar to the version that appears on George Colligan's Como la Vida Puede Ser.) Bolder and more unorthodox records have been made, but this kind of scorching, straight-ahead musicianship is always a pleasure to hear.By David R. Adler https://www.allmusic.com/album/steppin-zone-mw0000005071

Personnel: Alex Spiagin (trumpet); Chris Potter (tenor saxophone); David Kikoski (piano); Scott Colley (bass); Jeff Watts (drums).

Steppin'Zone

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Bill Carrothers - Sunday Morning

Styles: Piano Jazz
Year: 2013
File: MP3@320K/s
Time: 51:11
Size: 119,5 MB
Art: Front

(1:50)  1. Oh Gold Our Help in Ages Past
(4:53)  2. Jesus Loves Me
(5:36)  3. Children of the Heavenly Father
(5:14)  4. Beautiful Savior
(2:46)  5. Eternal Father, Strong to Save
(2:56)  6. A Mighty Fortress Is Our God
(4:51)  7. Just a Closer Walk with Tree
(1:10)  8. Crown Him with Many Crowns
(3:51)  9. Watchman, Tell Us of the Night
(4:52) 10. This Is My Father's World
(3:28) 11. Lift High the Cross
(5:10) 12. Just as I Am, Without One Plea
(3:07) 13. The Lord's Prayer
(1:21) 14. Oh God, Our Help in Ages Past

Sunday Morning by jazz pianist Bill Carrothers is a recording that comes straight from the heart. It brings together music of the church (where Carrothers learned to play the piano) and the cotton fields of the American south. The result is something not quite jazz, not quite gospel and not quite classical, but something totally unique and glorious. Carrothers is joined here by his wife Peg Carrothers on vocals, clarinetist Jean-Marc Foltz, cellist Matt Turner, bassist Nicolas Thys and a full gospel choir. ~ Editorial Reviews https://www.amazon.com/Sunday-Morning-Bill-Carrothers/dp/B00EPMODPW

Personnel:  Piano, Arranged By, Conductor [Choir] – Bill Carrothers; Cello – Matt Turner;  Clarinet [Clarinets] – Jean-Marc Foltz; Double Bass – Nicolas Thys;  Voice – Peg Carrothers

Sunday Morning

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Bobby Broom - Keyed Up

Styles: Guitar Jazz
Year: 2022
File: MP3@320K/s
Time: 56:53
Size: 130,8 MB
Art: Front

(4:23) 1. Hallucinations (Budo)
(6:08) 2. Second Thoughts
(5:06) 3. Humpty Dumpty
(4:43) 4. Soulful Bill
(6:38) 5. Quicksilver
(6:16) 6. Misty
(4:58) 7. Driftin'
(6:06) 8. Blues On The Corner, Tk 2
(6:18) 9. Scoochie
(6:13) 10. Blues On The Corner, Tk 1

On his latest album, Keyed Up, the well-traveled and well-respected guitarist Bobby Broom pays tribute to pianists "who have been an important part of [his] musical life." As he writes, ..."many great pianists who didn't need to include my six-string version of what they could already do harmonically and melodically saw fit to include me. Perhaps, among other things, this is my way of saying 'thank you' to them."

Another way to thank them may have been to include their names as composers somewhere on the album. Instead, one has to read an accompanying press release to learn that the honorees include Bud Powell, McCoy Tyner, James Williams, Mulgrew Miller, Erroll Garner

Chick Corea, Horace Silver and Herbie Hancock who collectively wrote nine of the album's ten numbers (including two takes of Tyner's "Blues on the Corner"). In spite of that, their names are nowhere to be found on the album's jacket or playlist, nor in Broom's adulatory liner notes.

The session's other tune, "Scoochie," was written by trumpeter Booker Ervin for pianist Horace Parlan's 1961 Blue Note album, On the Spur of the Moment. So, pianists were in some way involved in the genesis of every number. Yet another pianist, Justin Dillard, is a member of Broom's efficient quartet, and he doubles from time to time on the Hammond SKX organ. Bassist Dennis Carroll and drummer Kobie Watkins help keep the rhythm in sync.

Broom opens with a bouncy reading of Powell's "Hallucinations" (renamed "Budo" once Miles Davis endorsed it), moving next to Miller's meditative "Second Thoughts" and Corea's melodious "Humpty Dumpty." Williams' easygoing "Soulful Bill" and Silver's quirky "Quicksilver" (played a tad slower than most other versions) precede the venerable "Misty," which Broom was reluctant to include until Carroll reminded him, "It's by Erroll Garner!." Hancock's "Driftin,'" a medium-tempo charmer which belies its name, leads to the first reading of "Blues on the Corner," Ervin's amiable "Scoochie" and "Blues on the Corner," Take 2, which closes the studio recording.

Broom's guitar is bright and nimble, and his teammates carry out their assignments handily and without error. In sum, an above-average but rather less than special album whose choice of material (and composers) lends substance. By Jack Bowers https://www.allaboutjazz.com/keyed-up-bobby-broom-steele-records

Personnel: Bobby Broom: guitar; Dennis Carroll: bass; Kobie Watkins: drums; Justin Dillard: piano.

Keyed Up

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Lyn Stanley - Novel Noel: A Jingle Cool Jazz Celebration

Styles: Vocal, Holiday
Year: 2022
File: MP3@320K/s
Time: 56:41
Size: 132,2 MB
Art: Front

(4:08) 1. Zat You Santa Claus?
(5:36) 2. Have Yourself A Merry Little Christmas
(4:05) 3. Come Dance With Me
(4:47) 4. Little Drummer Boy (Jazz Version)
(3:45) 5. It's Magic
(3:52) 6. The Way You Look Tonight
(6:35) 7. I Concentrate On You
(4:10) 8. Christmas Waltz
(4:33) 9. Boogie Woogie Santa Claus
(3:09) 10. Moonlight In Vermont
(4:11) 11. Merry Christmas Darling
(2:50) 12. Holy Night
(4:55) 13. Mary Did You Know (Bonus Track)

Vocalist Lyn Stanley ironically calls her ensemble the Big Band Jazz Maverick when it is she who is the maverick, the evidence being how seamlessly she expands the holiday canon on Novel Noël: A Jingle Jazz Celebration. Over the past decade, Stanley has done two significant things: one, she has methodically and with carefully considered concepts addressed in the Great American Songbook, and, two, she has become a foremost audiophile, sweating all of the small stuff. This added attention and effort pays off in her superb holiday offering. Originally intended for release in 2021, personal and global circumstances changed the project's trajectory. Six of the 13 selections were released under the same title.

The entire package was worth the wait. Stanley spikes the eggnog with vintage, 100-proof nostalgia, recalling the swinging 1950s. The opening track, "Zat You Santa Claus" sets the tone for the entire release, with Stanley echoing Pops before launching into the most sophisticated and swinging updates of the song. Eartha Kitt may own "Santa, Baby," but Stanley one-ups that performance with this playful and festive steal from Satchmo. "Little Drummer Boy" is mashed up with "Take Five" and "Mary Did You Know" receives a stark and plaintive reading. Stanley deftly slides into the playlist standards made for the holidays: "Come Dance With Me," "It's Magic," and "The Way You Look Tonight" sound as if they have been in the holiday canon all along; what Stanley shows us is that they have been. It is fitting that this recording is the best the singer has imagined and recorded. This is what Christmas is about.
By C. Michael Bailey https://www.allaboutjazz.com/november-2022-novel-noel-a-jingle-jazz-celebration-lyn-stanleyr

Personnel: Lead Vocals [Vocalist (Lead)] – Lyn Stanley; Trumpet – Christopher Gray, Kye Palmer, Robert Schaer, Wayne Bergeron; Trombone – Andrew Martin, Bob McChesney, Craig Gosnell, Francisco Torres; Saxophone, Flute – Brian Scalon, Jay Mason, Kristen Edkins, Sal Lorenzo, Tom Leur; Rhythm Guitar [Rhythm (Guitar And Leader)] – John Chiodini; Piano – Bill Cunliffe, Christian Jacob, Pat Coil; Tenor Saxophone – Rickey Woodard; Drums, Percussion – Aaron Serfaty; Drums – Bernie Dresel; Double Bass [Upright Bass] – Chuck Berghofer

Novel Noel: A Jingle Cool Jazz Celebration

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Benny Carter - Princeton Concerts (And Beyond) [eight-album series]

"Benny Carter: The Princeton Concerts" is an eight-album series recorded at Carter’s request and until now, unissued. Although he received many distinguished awards (among the National Medal of the Arts, multiple Grammys, and the Kennedy Center Award), it was the doctorate bestowed by Princeton University in 1974 that he especially treasured. Invited and encouraged by Professor Morroe Berger, Carter not only grew close to the school as he led many classes and seminars, but also to the Berger family. Out of that relationship came the monumental biography and cultural history Benny Carter: A Life In American Music (written by Berger, his son Ed, and James Patrick) and the music presented here, recorded by Berger’s son, Ken.

Across these eight albums, Carter leads small groups and one all-star big band comprised of some of the greatest jazz musicians of all time. The intensity and interaction with a live audience always brought out the best in Carter and each concert has its own unique moments of inspired improvisation. He effortlessly reveals his mastery of the alto saxophone, the elegance of compositions, and his graciousness as a bandleader in giving generous space to his compatriots.

All, save two, were recorded at Princeton between 1972 and 1983. There is a brilliant 1978 evening captured in Buffalo that features one of the only recordings of the legendary pianist Al Tinney, whose role in the creation of bebop in the early 1940s has long been heralded by historians, but who went largely unrecorded during his long career. The collection set ends chronologically with music from the 90-year-old Carter, playing with astounding freshness and creativity, backed by pianist Chris Neville and bassist Steve LaSpina, who were in Carter’s last band.

Mrs. Hilma Carter has made a gift of this music to the National Jazz Museum in Harlem to support their mission of preserving, promoting, and presenting jazz. It is her wish that the music be made available free of charge, and the museum is placing it across the world’s most popular streaming services. In addition, visitors are always welcome (by appointment) to hear the music at the museum.

https://jmih.org/collections/benny-carter-the-princeton-concerts/

 

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Benny Carter - Princeton Concerts (And Beyond) [Vol.1 April 19, 1973 Live at Princeton]

Styles: Jazz

Year: 2022
Time: 87:00
File: MP3 @ 320K/s
Size: 199,9 MB
Art: Front

(2:17) 1. Introduction (Live At Princeton, April, 1973)
(8:07) 2. A Night In Tunisia (Live At Princeton, 1973)
(8:28) 3. Undecided (Live At Princeton, April, 1973)
(8:36) 4. Robbins Nest (Live At Princeton, 1973)
(8:25) 5. The Shadow Of Your Smile (Live At Princeton, April, 1973)
(6:56) 6. Honeysuckle Rose (Live At Princeton, April, 1973)
(8:29) 7. In A Mellotone (Live At Princeton, April, 1973)
(6:53) 8. A Day In The Life Of A Fool (Live At Princeton, 1973)
(8:31) 9. All The Things You Are (Live At Princeton, 1973)
(9:25) 10. One Good Blues (Live At Princeton, 1973)
(4:41) 11. Sweet Georgia Brown (Live At Princeton, April,1973)
(6:07) 12. How High The Moon (Live At Princeton, 1973)

Princeton Concerts (And Beyond) [Vol.1 April 19, 1973 Live at Princeton]

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Benny Carter - Princeton Concerts (And Beyond) [Vol. 2 October 22, 1973 Live at Princeton]

Styles: Jazz
Year: 2022
Time: 137:20
File: MP3 @ 320K/s
Size: 315,5 MB
Art: Front

(03:02) 1. Introduction (Live At Princeton, 1973)
(10:35) 2. Undecided (Live At Princeton, October 1973)
(11:28) 3. The Shadow Of Your Smile (Live At Princeton, October 1973)
(11:51) 4. Satin Doll (Live At Princeton, 1973)
(08:40) 5. When Lights Are Low (Live At Princeton, October 1973)
(02:53) 6. Nuages (Live At Princeton, 1973) (Feat. Bucky Pizzarelli)
(02:43) 7. What Are You Doing The Rest Of Your Life (Live At Princeton, 1973) (Feat. Bucky Pizzarelli)
(02:26) 8. I'm Coming Virginia (Live At Princeton, 1973) (Feat. Bucky Pizzarelli)
(06:08) 9. She's Funny That Way (Live At Princeton, 1973) (Feat. Grady Tate)
(05:22) 10. Body And Soul (Live At Princeton, 1973) (Feat. Grady Tate)
(10:41) 11. Blues Medley: Blues / Blue Monk / My Gal (Live At Princeton, 1973) (Feat. Clark Terry)
(14:09) 12. Take The "A" Train (Live At Princeton, 1973)
(10:20) 13. Perdido (Live At Princeton, 1973)
(07:47) 14. Evening Star (Live At Princeton, 1973)
(07:30) 15. Doozy (Live At Princeton, October 1973)
(03:54) 16. Mumbles (Live At Princeton, 1973) (Feat. Clark Terry)
(09:26) 17. In A Mellotone (Live At Princeton, October 1973)
(08:16) 18. Sweet Georgia Brown (Live At Princeton, October 1973)

Princeton Concerts (And Beyond) [Vol. 2 October 22, 1973 Live at Princeton]

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Benny Carter - Princeton Concerts (And Beyond) [Vol. 3 December 3, 1973 Live at Princeton]

Styles: Jazz
Year: 2022
Time: 132:22
File: MP3 @ 320K/s
Size: 303,9 MB
Art: Front

(10:06) 1. Doozy (Live At Princeton, December 1973)
(03:11) 2. Introduction (Live At Princeton, 1973)
(03:50) 3. When Lights Are Low (Live At Princeton, December 1973)
(02:54) 4. You Are (Live At Princeton, 1973)
(06:11) 5. Souvenir (Live At Princeton, 1973)
(12:51) 6. Honeysuckle Rose (Live At Princeton, December 1973)
(18:19) 7. Blues For Beginners (Live At Princeton, 1973) (Feat. Hale Smith)
(13:14) 8. Coalition (Live At Princeton, 1973) (Feat. Ray Barretto)
(09:15) 9. I Can't Get Started (Live At Princeton, 1973)
(12:06) 10. Cotton Tail (Live At Princeton, 1973)
(04:14) 11. A Kiss From You (Live At Princeton, 1973)
(09:51) 12. A Walkin' Thing (Live At Princeton, 1973)
(04:18) 13. Sleep (Live At Princeton, 1973)
(12:40) 14. Ballad Medley: These Foolish Things/ A Day In The Life Of A Fool / St. Louis Blues / The Nearness Of You (Live At Princeton, 1973)
(09:17) 15. Juke Box (Live At Princeton, 1973)

Princeton Concerts (And Beyond) [Vol. 3 December 3, 1973 Live at Princeton]

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Benny Carter - Princeton Concerts (And Beyond) [Vol. 4 March 18, 1977 Live at Princeton]

Styles: Jazz
Year: 2022
Time: 157:03
File: MP3 @ 320K/s
Size: 360,8 MB
Art: Front

(04:06) 1. Introduction (Live At Princeton, 1977)
(09:42) 2. Undecided (Live At Princeton, 1977)
(10:19) 3. Easy Money (Live At Princeton, 1977)
(08:01) 4. Here's That Rainy Day (Live At Princeton, 1977)
(10:49) 5. South Side Samba (Live At Princeton, 1977)
(10:41) 6. Green Wine (Live At Princeton, 1977)
(05:23) 7. A Child Is Born (Live At Princeton, 1977) (Feat. Joe Newman)
(09:48) 8. Yesterdays (Live At Princeton, 1977)
(09:27) 9. Satin Doll (Live At Princeton, 1977)
(06:52) 10. St.thomas (Live At Princeton, 1977)
(07:45) 11. Django Medley: Nuages / Tears (Live At Princeton, 1977) (Feat. Bucky Pizzarelli)
(03:47) 12. Send In The Clowns (Live At Princeton, 1977) (Feat. Bucky Pizzarelli)
(04:20) 13. Ballad Medley: I'll Be Around / I Concentrate On You (Live At Princeton, 1977) (Feat. Bucky Pizzarelli)
(07:07) 14. Evening Star (Live At Princeton, 1977)
(09:10) 15. On Green Dolphin Street (Live At Princeton, 1977)
(06:45) 16. Summertime (Live At Princeton, 1977) (Feat. Richard Davis)
(04:17) 17. When You're Smiling (Live At Princeton, 1977) (Feat. Joe Newman)
(10:59) 18. The Courtship (Live At Princeton, 1977)
(08:26) 19. Perdido (Live At Princeton, 1977)
(09:08) 20. In A Mellotone (Live At Princeton, 1977)

Princeton Concerts (And Beyond) [Vol. 4 March 18, 1977 Live at Princeton]

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Benny Carter - Princeton Concerts (And Beyond) [Vol. 5 October 12, 1979 Live at Princeton]

Styles: Jazz
Year: 2022
Time: 94:59
File: MP3 @ 320K/s
Size: 218,2 MB
Art: Front

(08:19) 1. Ain't Misbehavin' (Live At Princeton, 1979)
(11:41) 2. Straight, No Chaser (Live At Princeton, 1979)
(07:07) 3. Gee, Baby, Ain't I Good To You (Live At Princeton, 1979)
(09:28) 4. Broadway (Live At Princeton, 1979)
(04:50) 5. This Is Always (Live At Princeton, 1979) (Feat. Joe Kennedy)
(00:42) 6. Introduction (Live At Princeton, 1979)
(11:38) 7. Perdido (Live At Princeton, 1979)
(11:32) 8. On Green Dolphin Street (Live At Princeton, 1979)
(08:51) 9. My Old Flame (Live At Princeton, 1979) (Feat. Stanley Jordan)
(03:25) 10. Now's The Time (Live At Princeton, 1979) (Feat. Stanley Jordan)
(10:20) 11. Caravan (Live At Princeton, 1979)
(07:00) 12. Blues (Live At Princeton, 1979)

Princeton Concerts (And Beyond) [Vol. 5 October 12, 1979 Live at Princeton]

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Benny Carter - Princeton Concerts (And Beyond) [Vol. 6 May 21, 1982 Live at Princeton]

Styles: Jazz
Year: 2022
Time: 137:53
File: MP3 @ 320K/s
Size: 316,7 MB
Art: Front

(12:14) 1. Opening Remarks (Live At Princeton, 1982)
(01:23) 2. Introduction (Live At Princeton, 1982)
(09:41) 3. Easy Money (Live At Princeton, 1982)
(10:27) 4. Autumn Leaves (Live At Princeton, 1982)
(09:50) 5. The Courtship (Live At Princeton, 1982)
(08:10) 6. Love For Sale (Live At Princeton, 1982) (Feat. Derek Smith)
(10:30) 7. In A Mellotone (Live At Princeton, 1982)
(07:11) 8. Ain't Misbehavin' (Live At Princeton, 1982) (Feat. Harry "Sweets" Edison)
(06:16) 9. Basically The Blues (Live At Princeton, 1982) (Feat. George Duvivier)
(10:51) 10. Southside Samba (Live At Princeton, 1982)
(08:47) 11. Undecided (Live At Princeton, 1982)
(06:46) 12. Souvenir (Live At Princeton, 1982)
(01:33) 13. Introduction 2 (Live At Princeton, 1982)
(05:09) 14. Misty (Live At Princeton, 1982) (Feat. Stanley Jordan)
(12:08) 15. Perdido (Live At Princeton, 1982)
(09:44) 16. Cotton Tail (Live At Princeton, 1982)
(07:03) 17. Blues (Live At Princeton, 1982)

Princeton Concerts (And Beyond) [Vol. 6 May 21, 1982 Live at Princeton]

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Benny Carter - Princeton Concerts (And Beyond) [Vol 7. September 13, 1997 Live at Princeton]

Styles: Jazz
Year: 2022
Time: 55:05
File: MP3 @ 320K/s
Size: 126,6 MB
Art: Front

(2:01) 1. Introduction (Live At Princeton, 1997)
(6:28) 2. Just Friends (Live At Princeton, 1997)
(6:40) 3. My One And Only Love (Live At Princeton, 1997) (Feat. Steve Laspina)
(7:49) 4. Another Time, Another Place (Live At Princeton, 1997)
(9:58) 5. Lover Man (Live At Princeton, 1997)
(4:55) 6. You, Only You (Live At Princeton, 1997) (Feat. Chris Neville)
(8:00) 7. What Is This Thing Called Love (Live At Princeton, 1997)
(9:09) 8. Perdido (Live At Princeton, 1997)

Princeton Concerts (And Beyond) [Vol 7. September 13, 1997 Live at Princeton]

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Benny Carter - Princeton Concerts (And Beyond) [Vol. 8 October 28, 1978 Live in Buffalo]

Styles: Jazz
Year: 2022
Time: 139:56
File: MP3 @ 320K/s
Size: 321,5 MB
Art: Front

(05:41) 1. There Will Never Be Another You (Live In Buffalo, 1978) (Feat. Al Tinney)
(07:53) 2. In A Mellotone (Live In Buffalo, 1978) (Feat. Al Tinney)
(05:07) 3. What's New (Live In Buffalo, 1978) (Feat. Al Tinney)
(07:43) 4. On Green Dolphin Street (Live In Buffalo 1978) (Feat. Al Tinney)
(06:07) 5. 12 Bar Blues (Live In Buffalo, 1978) (Feat. Al Tinney)
(08:25) 6. Undecided (Live In Buffalo, 1978) (Feat. Al Tinney)
(04:56) 7. Take The "A" Train (Live In Buffalo, 1978) (Feat. Al Tinney)
(05:11) 8. When Lights Are Low (Live In Buffalo, 1978) (Feat. University Of Buffalo Jazz Ensemble)
(04:29) 9. A Walkin' Thing (Live In Buffalo, 1978) (Feat. University Of Buffalo Jazz Ensemble)
(10:25) 10. Blues For Beginners (Live In Buffalo, 1978) (Feat. University Of Buffalo Jazz Ensemble)
(05:15) 11. I Can't Get Started (Live In Buffalo, 1978) (Feat. University Of Buffalo Jazz Ensemble)
(07:59) 12. Honeysuckle Rose (Live In Buffalo, 1978) (Feat. University Of Buffalo Jazz Ensemble)
(09:06) 13. In A Mellotone, Pt. 2 (Live In Buffalo, 1978) (Feat. Al Tinney)
(08:08) 14. On Green Dolphin Street, Pt. 2 (Live In Buffalo, 1978) (Feat. Al Tinney)
(09:17) 15. Lover Man (Live In Buffalo, 1978) (Feat. Al Tinney)
(09:05) 16. Perdido (Live In Buffalo, 1978) (Feat. Al Tinney)
(08:50) 17. Body And Soul (Live In Buffalo, 1978) (Feat. Al Tinney)
(07:58) 18. Cherokee (Live In Buffalo, 1978) (Feat. Al Tinney)
(08:11) 19. All The Things You Are (Live In Buffalo, 1978) (Feat. Al Tinney)

Princeton Concerts (And Beyond) [Vol. 8 October 28, 1978 Live in Buffalo]

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Akiko Tsuruga - So Cute, So Bad

Styles: Jazz, Hard Bop
Year: 2017
File: MP3@320K/s
Time: 57:38
Size: 132,4 MB
Art: Front

( 6:51)  1. So Cute, So Bad
( 5:28)  2. The Lady Is a Tramp
( 6:32)  3. Face to Face
(10:02)  4. Frame for the Blues
( 7:41)  5. You Don't Know What Love Is
( 7:36)  6. Peachie
( 6:27)  7. Tanabata
( 6:57)  8. Pretty Please

“Akiko's playing is like watching a flower blooming, a bird spreading her wings in the music world. Akiko is here to stay.” ~ Legendary organist Dr. Lonnie Smith

Hammond B3 organist Akiko Tsuruga has been a regular on the New York jazz scene since her arrival in 2001. Almost immediately, she began working with artists like Jimmy Cobb, Frank Hess, and Lou Donaldson, whose quartet she joined in 2007. As a bandleader, she has toured internationally and released several acclaimed albums, garnering extensive radio play and “rising star” designations in DownBeat reader’s polls. Tonight, she celebrates the release of her latest album, featuring Graham Dechter and Jeff Hamilton. Dechter is an up-and-coming musician, making a name for himself as a straight-ahead jazz guitarist, and Hamilton is a veteran drummer and bandleader who will soon be headlining Dizzy’s Club Coca-Cola again for a two-night run. Check them out at the club before Tsuruga’s new album takes over the airwaves. http://www.jazz.org/dizzys/events/182104/akiko-tsuruga-trio/

Personnel:  Akiko Tsurunga-hammond B3;  Jeff Hamilton-drums;  Graham Dechter -guitar.

So Cute, So Bad

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Eddie Diehl (With Hank Jones) - Well, Here It Is...

Bitrate: 320K/s
Time: 53:05
Size: 121.5 MB
Styles: Mainstream jazz
Year: 2006
Art: Front

[5:55] 1. My Heart Stood Still
[4:55] 2. Swedish Schnapps
[6:16] 3. Semisamba
[5:22] 4. Swinging Till The Girls Come Home
[8:11] 5. Aquarian Melody
[9:32] 6. Love You Madly
[7:32] 7. My Romance
[5:18] 8. Be Bu

Eddie Diehl has long been respected among his fellow jazz musicians, but finally makes his recording debut as a leader with on one of the first CDs issued by a new label, Lineage. It's quite a plus to have a co-leader like veteran pianist Hank Jones, along with having bassist John Webber and drummer Mickey Roker. While Diehl has a fluid touch on his instrument, he seems just as happy featuring his bandmates as himself. While the two standards from the Rodgers & Hart songbook are enjoyable, the interpretations of less-frequently heard works like the bop gem "Swedish Schnapps," Oscar Pettiford's intricate blues "Swinging Till the Girls Come Home," and Ellington sideman Harold Ousley's gently swinging "Aquarian Melody" are the tracks that command one's attention. Diehl also contributed a pair of choice originals. The informal air of this recording session almost make it sound like a gathering of old friends playing late at night for their own amusement; hopefully, Eddie Diehl won't have to wait long for an opportunity to lead another record date. ~Ken Dryden

Well, Here It Is... 

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Sarah Partridge - A Partridge in a Pear Tree: Jazz for The Holidays

Styles: Vocal, Holiday
Year: 2022
File: MP3@320K/s
Time: 36:51
Size: 85,5 MB
Art: Front

(3:26) 1. Sleigh Ride
(3:05) 2. Santa Tell Me
(4:06) 3. Let It Snow
(4:03) 4. Have Yourself A Merry Little Christmas
(6:08) 5. All I Want For Christmas Is You
(4:13) 6. A Child Is Born
(6:11) 7. Twelve Days Of Christmas
(5:35) 8. Auld Lang Syne

Nice to add some Jazz to the mix. Sarah Partridge is an American Jazz vocalist and songwriter of enough distinction that I'm aware of her, but apparently not enough to get a Wikipedia page. She started out as an actress (she's in Risky Business), but an evening of karaoke got her noticed by someone in the business and the next thing you know, she's a recording artist. She might be best known for "Bright Lights & Promises", an album of Jazz interpretations of the songs of Janis Ian. "A Partridge In A Pear Tree" (the title writes itself) is Sarah's first Christmas album. https://fireside.falalalala.com/sarah-partridge-a-partridge-in-a-pear-tree-jazz-fo-t5159.html

A Partridge in a Pear Tree

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Kirk Lightsey - Everything Is Changed

Styles: Piano Jazz
Year: 1986
File: MP3@320K/s
Time: 67:19
Size: 154,3 MB
Art: Front

( 7:09)  1. Everything Is Change(d)
( 6:40)  2. Billie's Bounce
(11:35)  3. Estate
( 6:39)  4. Evidence
(11:24)  5. Nandi
( 7:25)  6. Alone Together
(11:02)  7. Lament
( 5:21)  8. Blues on the Corner

This excellent album finds pianist Kirk Lightsey exploring five standards and his bassist Santi Wilson Debriano's "Nandi" with a solid quartet. Drummer Eddie Gladden is an asset but trumpeter Jerry Gonzales (whose muted statements on four of the six selections recall the lyricism of Miles Davis) often comes close to stealing the show. Lightsey, who sounds particularly strong on the ballads, is the obvious leader and his tasteful yet swinging piano is a joy to hear.
~ Scott Yanow http://www.allmusic.com/album/everything-is-changed-mw0000651194

Personnel: Kirk Lightsey (piano), Jerry Gonzalez (trumpet, flugelhorn, congas), Santi Debriano (acoustic bass), Eddie Gladden (drums), Chico Freeman, Don Moye (percussion on "Evidence").

Everything Is Changed

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Elvin Jones Jazz Machine - At Uncle Po's Carnegie Hall, Hamburg 1981

Size: 153,9+153,6 MB
Time: 66:57+66:41
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz
Art: Front & Back

CD 1:
01. Elvin Jones Blues (20:12)
02. In A Sentimental Mood (15:51)
03. Doll Of Bridges (30:53)

CD 2:
01. George And Me (22:00)
02. My One And Only Love (15:21)
03. Antigua (20:01)
04. Friday Night ( 9:18)

Elvin Jones was an icon of drumming, a powerful package of energy and inspiration and a true master of his craft. This historic live recording from 1981, released for the first time, shows the powerful and dynamic performance of this great musician in synergy with his superb band.

Elvin Ray Jones was born in Pontiac in 1927, as the youngest of ten children and brother of pianist Hank and trumpeter Thad Jones. He was one of the most respected and successful jazz drummers of all time. His illustrious career included spending five years as the drummer for saxophonist John Coltrane, including playing on milestone albums such as 'A Love Supreme'.

Jones called his own ensemble 'Jazz Machine' and this 1981 version included two tenor-saxophonists, Carter Jefferson and Dwayne Armstrong, guitarist Marvin Horne; and with the Japanese pianist Fumio Karashima, who added a noteworthy dosage of Far-East melodics and harmony to the concert. Together with Karashima and the well-tried bassist Andy McCloud, Elvin Jones had recorded a trio-LP just previously to the European tour documented here.

Personnel: Carter Jefferson, Dwayne Armstrong (saxophone), Fumio Karashima (piano), Marvin Horne (guitar), Andy McCloud (bass), Elvin Jones (drums)

At Uncle Po's Carnegie Hall CD 1, CD 2

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Akiko Tsuruga - Harlem Dreams

Styles: Jazz
Year: 2004
File: MP3@320K/s
Time: 67:25
Size: 155,5 MB
Art: Front

(5:16)  1. Rapid Shave
(6:44)  2. The Breeze and I
(4:41)  3. Peachie
(6:14)  4. Harlem Nocturne
(3:41)  5. Kiko
(6:34)  6. Let's Hang Together
(6:05)  7. When A Man Loves A Woman
(5:31)  8. Cisco
(6:02)  9. These Are Soulful Days
(5:38) 10. Jitterbug Waltz
(4:34) 11. If Ever I Would Leave You
(6:21) 12. Geogia On My Mind

New York City based Hammond Organist and pianist, Akiko Tsuruga, has established herself as an 'in demand' player since arriving from her home town of Osaka, Japan in 2001. Akiko began Organ lessons at age three, and starting performing professionally throughout Japan after graduating from Osaka College Of Music. While performing in Japan, she encountered and played with many noted American musicians, Roy Hargrove, Jeff "Tain" Watts and Grady Tate to name a few. Grady Tate has been most influential in her career. He played on her debut CD, "Harlem Dreams" and encouraged her to move to New York. After arriving in New York Akiko established herself as one of area's top organist / pianist. Her trio featuring guitarist Eric Johnson and drummer Vincent Ector has been one of the area's top groups, working many jazz nightclubs including, Dizzy's (at Lincoln center) and The Blue Note. Her trio also plays private parties and summer outdoor concerts. Her long awaited debut CD, "Harlem Dreams" featuring Grady Tate and Frank Wess was released in Japan on the M&I label on May 19, 2004. Akiko's CD is so popular in Japan she has returned twice to perform. Her CD release tour featured Grady Tate on drums and guitarist Satoshi Inoue in August 2004.

In September 2005, she returned to Japan with guitarist Eric Johnson and drummer Fukushi Tainaka. It was this trip that caught the eyes and ears of Hammond Suzuki officials. The group was invited to the factory and Mr. Suzuki personally awarded her a Hammond XK-3 organ and endorsement. Among her accomplishments is an organ jazz instructional book "Hammond Organ Complete" (Berklee Press) which was translated from English to Japanese and has been published in Japan. When she's not leading her trio, she still enjoys working as a featured sideman in Grady Tate's vocal group and with saxophonist Jerry Weldon and many others. Akiko is currently working on a new CD to be released in January 2007.
~Editorial Reviews http://www.amazon.com/Harlem-Dreams-Akiko-Trio-Tsuruga/dp/B0001Z2YY4

Personnel: Satoshi Inoue Guitar; Grady Tate  Drums; Akiko Tsuruga Hammond B3; Frank Wess Tenor sax 

Harlem Dreams

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Jane Monheit - The Merriest

Styles: Vocal
File: MP3@320K/s
Time: 37:19
Size: 86,2 MB
Art: Front

(3:36) 1. Let It Snow! Let It Snow! Let It Snow!
(5:06) 2. The Christmas Song (Chestnuts Roasting On An Open Fire)
(3:57) 3. That Holiday Feeling
(4:05) 4. (Christmas) Stay With Me
(1:57) 5. The Merriest
(5:36) 6. What Are You Doing New Years Eve?
(4:14) 7. Winter Wonderland
(4:07) 8. Christmas Time Is Here
(4:37) 9. It's The Most Wonderful Time Of The Year

For veteran jazz chanteuse Jane Monheit, Christmas is all about warm affection, both romantic and neighborly. That, at least, is the impression she gives on her second seasonal album, The Merriest. Its nine selections fit her naturally saucy delivery, and the majority of them fit her propensity to interpret the works of songwriters comprising the mid-20th century Great American Songbook. She arguably adds a page by being the first artist to record a previously unissued number by late Broadway mainstay Cy Coleman.

The Merriest’s arrangements include a gingerly applied march intro and an Afro-Latin rumble in places that fit just right, however unexpected they first may sound. A duet with John Pizzarelli may be a bit mushy for some, but good for it not being another rendering of “Baby, It’s Cold Outside.” Depending on the band she has in tow and her set list on winter tours, Monheit could provide a less flashy, more subdued alternative to Mariah Carey'’s self-declared rule as holiday queen. By Jamie Lee Rake https://shepherdexpress.com/music/album-reviews/the-merriest-by-jane-monheit/

The Merriest

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Kirk Lightsey - Home Piano

Styles: Piano Jazz
Year: 2020
File: MP3@320K/s
Time: 46:29
Size: 107,8 MB
Art: Front

(7:50) 1. I Remember Clifford
(5:09) 2. Brother Rudolph
(5:34) 3. Four In One
(4:46) 4. Some Other Time
(6:22) 5. Bewitched, Bothered and Bewildered
(4:41) 6. Blues On the Corner
(6:14) 7. Golden Legacy
(5:50) 8. The Obvious Blues

Kirk Lightsey; Home Piano (RR-22). Grabación inédita de piano solo, que captura al gran músico de Detroit en una tarde de noviembre de 2012, en Buenos Aires. La atmósfera íntima y relajada de la sesión, junto al majestuoso sonido del piano Fazioli F308, generan el marco propicio para que la música surja con agradable espontaneidad.

Kirk Lightsey, uno de los últimos pianistas de una época maravillosa; irrepetible. Ello, tanto por la calidad y cantidad de músicos que la protagonizaron, como por lo que el ambiente del jazz generaba y significaba (particularmente, quizás, para los músicos afroamericanos). Kirk fue integrante estable del cuarteto de Dexter Gordon, y ha tocado con TODOS: Chet Baker, Sonny Stitt, Kenny Burrell, Benny Golson, Woody Shaw, Harold Land, Blue Mitchell, Louis Hayes, Clifford Jordan, Don Moye, James Moody, David “Fathead” Newman, Jimmy Raney, David Murray, James Clay, Sonny Fortune, Chico Freeman, Billy Pierce, Ricky Ford, Harold Danko, Attila Zoller, Rufus Reid, Santi Debriano, Marcus Belgrave, Javon Jackson, Mark Whitfield, Steve Nelson……

Kirk Lightsey; Home Piano (RR-22). Previously unreleased solo piano recording, capturing the great Detroit musician on a November 2012 afternoon in Buenos Aires. The intimate and relaxed atmosphere of the session added to the majestic sound of the Fazioli F308 grand piano, generate the right frame for the music to emerge with pleasant spontaneity.

Kirk Lightsey, one of the last pianists of a wonderful, unrepeatable era; due both to the quality and quantity of the musicians involved, and what the jazz environment generated and meant (particularly, perhaps, for African-American musicians). Kirk served as stable member of Dexter Gordon's quartet, and has played with Everyone: Chet Baker, Sonny Stitt, Kenny Burrell, Benny Golson, Woody Shaw, Harold Land, Blue Mitchell, Louis Hayes, Clifford Jordan, Don Moye, James Moody, David “Fathead” Newman, Jimmy Raney, David Murray, James Clay, Sonny Fortune, Chico Freeman, Billy Pierce, Ricky Ford, Harold Danko, Attila Zoller, Rufus Reid, Santi Debriano, Marcus Belgrave, Javon Jackson, Mark Whitfield, Steve Nelson……

Personnel: Piano: Kirk Lightsey; Trumpet/Trompeta: Mariano Loiacono (Track 8)

Home Piano

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Adam Rogers - Dice

Styles: Guitar
Year: 2017
File: MP3@320K/s
Time: 55:53
Size: 128,4 MB
Art: Front

(6:51) 1. Dice
(8:22) 2. Chronics
(6:30) 3. Sea Miner
(6:06) 4. The Mystic (For Fred McDowell)
(2:20) 5. The Interlude
(5:22) 6. Flava
(4:22) 7. Elephant
(4:53) 8. Crazy
(7:58) 9. Lthe Bruce
(3:05) 10. Seven

At some point in time, fusion lost its way. Some say it never really had a firm enough direction, existing only as a symbol of excess, power, and virtuosity to begin with. But those steeped in '70s and early '80s music of this sort know the truth: A perfect blend of rip-roaring lines, one-step-beyond melodicism, feats of daring, and mind-bending grooves took the music to great heights in its first decade, bringing it to a point that's never been equaled or duplicated since.

Instead of living on as a celebration of stylistic convergence and unity, fusion became a dirty word in the decades that followed, disdained by a growing faction of purists, muddied by those who put complexity and athleticism above accessibility, and muddled by those who never really heard the message the right way in the first place. But all is not lost. Guitarist Adam Rogers has delivered DICE, reminding us about the virtues of this much-maligned music while extending it into a new realm of his own creation.

While the aforementioned setup clearly focuses on a specific style of music, the truth is that it doesn't really matter what you call this. Fusion for modernists, post-modern groove art, and electro-hypno jazz are all perfectly fine descriptors that say enough without really saying anything at all. Words just don't suffice. You simply have to hear this to really get it. Rogers, bassist Fima Ephron, and drummer Nate Smith bring their long history together to bear through aggressive gestures, flowing grooves, trippy asides, and searing solos. If the name "Trio of Doom" wasn't already taken, these guys could've owned it, bar none.

While Rogers' position as one of the finest guitarists in the land was established quite some time ago, DICE makes it clear that he's not one to rest on his laurels. With "L The Bruce" Rogers brings a quirky sensibility in line with tight rhythmic choreography, on "Flava" he assaults the senses, through "Elephant" he combines slick lines and mind-blowing technique, and during a trip through the Patsy Cline-associated "Crazy" he puts the big guns away and focuses on the unvarnished beauty of the song as seen through a glassy prism. On one track Rogers might be delivering the solo to end all solos, but on another he might be boiling down the essence of Mississippi Fred McDowell into a melodically engaging, six-minute spiritual raga. You don't know what you're going to get from Adam Rogers from one moment or song to the next, but you know it's going to be something.

There are many points on the album where production work and overdubs add greatly to the mix the use of samples and loops to thicken the surroundings, a complementary glaze painted atop a trio romp, the underwater additions to "Sea Miner" but those enhancements shouldn't take away from the raw truths surrounding these three. When you look past all of that, what remains is an incredibly sophisticated power-and-pocket trio that's as intelligent as it is muscular. DICE, not surprisingly, delivers on every level. By Dan Bilawsky https://www.allaboutjazz.com/dice-adam-rogers-self-produced-review-by-dan-bilawsky

Personnel: Adam Rogers: electric guitars, clarinet, bass clarinet, Korg ms 20 synthesizer; Mellotron; Koestler wind organ; Fender Rhodes; percussion; samples, loops; Fima Ephron: electric bass; Nate Smith: drums.

Dice

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Ramsey Lewis - The Beatles Songbook

Styles: Piano Jazz

Year: 2022  
File: MP3@320K/s
Time: 37:04
Size: 85,8 MB
Art: Front

(4:07) 1. Here, There And Everywhere
(4:11) 2. And I Love Her
(3:44) 3. Hey Jude
(1:56) 4. Blackbird
(2:42) 5. Imagine
(4:00) 6. Hard Day's Night
(1:56) 7. Yesterday
(2:10) 8. Rocky Raccoon
(4:03) 9. Michelle
(3:10) 10. Golden Slumbers
(3:22) 11. The Long And Winding Road
(1:38) 12. Let It Be

Ramsey Lewis Celebrates The Music Of The Fab Four With Posthumous CD 'The Beatles Songbook,' His First Solo Piano Recording

The late, legendary pianist Ramsey Lewis offers an intimate, familiar affair with his solo piano recording The Beatles Songbook: The Saturday Salon Series, Volume One, to be released January 6 on Steele Records. This selection of tunes by the iconic songwriting duo of John Lennon and Paul McCartney, approved for release by Lewis, is also a surprising DIY project, created during livestreamed sessions in Lewis’s own Chicago home.

Lewis, of course, is no stranger to covering of postwar pop music. He had a smash 1965 hit with his cover of Dobie Gray’s “The In Crowd,” which he followed up with a successful version of “Hang on Sloopy.” He has even assayed the Beatles’ catalog before, scoring a minor hit with “A Hard Day’s Night” and even releasing Mother Nature’s Son, an homage to the Beatles’ White Album, in 1968.

He was a latecomer, however, to unaccompanied piano performance. Until recent years, Lewis had almost never performed as a soloist. But the COVID-19 pandemic made it impossible to perform any other way, and during the lockdowns Lewis initiated a series of monthly webcasts called “The Saturday Salon.” Always an artist with a populist touch, Lewis included the Beatles’ songs in his webcasts because it was music that, like his own, had demonstrated universal appeal.

“They have a catalog of songs that can stand up as standards that are fun to play and fun to solo on,” he said. “Their music has been recorded by symphonies and orchestras, rock bands, jazz bands. I don’t know any other pop act whose music has been recorded across the board like this.”

Even with their exhaustive coverage, Lewis is able to unlock new secrets and breathe new life into the tunes. His “And I Love Her” explores the possibilities of both the song’s harmonies and its famous four-note riff. “Rocky Raccoon” gets a beautiful reharmonization. Lewis plays up the gospel roots of “Hey Jude,” and in the ballads “Blackbird” and “Golden Slumbers” he finds previously unknown reservoirs of the blues.

Lifted directly from the 2020 livestream audio, The Beatles Songbook sounds like the home recording it is. But that sound is a feature, not a bug: It amplifies the intimacy of the performance, as if we were hearing a message from a friend, and reminds us that to the end, Lewis was able to work in any circumstances and create great art.

About Ramsey Lewis

Ramsey Lewis was born May 27, 1935 in Chicago. He began playing piano at the age of four, learning classical from teachers, gospel from the church, and jazz from his father’s record collection. Through Wells High School and into Chicago Musical College he intended to become a concert classical pianist, but fate intervened: While working at a record store, Lewis met bassist Eldee Young and drummer Red Holt, fellow jazz lovers who joined with him to form the Ramsey Lewis Trio.

In 1965, after a decade of working together both on bandstands and on Leonard and Phil Chess’s Argo Records, Lewis and the trio achieved a surprise top 10 pop hit with their version of “The In Crowd,” recorded live in Washington DC. The record made Lewis a star, which he compounded with subsequent hits “Hang on Sloopy,” “A Hard Day’s Night,” and “Wade in the Water.” After the trio disbanded, Lewis carried on with new ensembles and continued pursuing pop-jazz success, surfacing on the pop charts again with members of Earth, Wind & Fire on 1974’s Sun Goddess. His popular success continued into the 1980s and ‘90s, when he formed the popular crossover group Urban Knights.

In the 21st century, Lewis became a revered elder statesman of jazz, finding a career renaissance as a composer, broadcaster, educator, and artistic director of the Ravinia Jazz Festival. Lewis was awarded the NEA Jazz Masters fellowship in 2007. He spent his final year working with journalist Aaron Cohen on his memoir, Gentleman of Jazz (to be published May 2023 by Blackstone Publishing), before passing away at his Chicago home on September 12, 2022.

https://www.allaboutjazz.com/news/ramsey-lewis-celebrates-the-music-of-the-fab-four-with-posthumous-cd-the-beatles-songbook-his-first-solo-piano-recording-due-jan-6/

The Beatles Songbook

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Doris Day - Early Day: Rare Songs From The Radio 1939-1950

Styles: Vocal
File: MP3@320K/s
Time: 54:38
Size: 127,0 MB
Art: Front

(3:51) 1. Sentimental Journey
(2:21) 2. Little Sir Echo
(2:13) 3. I'm Happy About The Whole Thing
(2:10) 4. The Joint Is Really Jumpin' Down At Carnegie Hall
(2:10) 5. Salt Water Cowboy (A United States Marine)
(4:16) 6. Take Me In Your Arms
(2:34) 7. Easy Street
(1:46) 8. Wonderful Winter
(4:07) 9. Along The Navajo Trail
(3:28) 10. I Wish I Knew
(1:53) 11. Sunshine Cake (Feat. Bob Hope)
(1:49) 12. Slippin' Around (Feat. Jimmy Wakely)
(2:14) 13. My Darling, My Darling
(2:01) 14. Hair Of Gold, Eyes Of Blue
(2:11) 15. A Little Bird Told Me
(2:25) 16. It's Too Soon To Know
(2:05) 17. Buttons And Bows
(2:31) 18. Havin' A Wonderful Wish (Time You Were Here)
(2:17) 19. Dear Hearts And Gentle People
(1:43) 20. Happy Times
(1:39) 21. Never Again
(1:24) 22. I Don't Care If The Sun Don't Shine
(0:34) 23. Savings Bond Promotional Spot
(0:44) 24. Ain't Misbehavin'

Wanna know - and wanna hear - how Doris Day became one of the biggest multimedia stars on the planet? This 24-track collection carefully culls Doris' finest and rarest performances from over a decade of appearances on the radio, where her star first really began to shine. First, we begin with a 1944 rendition of one of her signature songs, 'Sentimental Journey,' with the big band that really vaulted her into the stratosphere, The Les Brown Orchestra. Then we double back all the way to her very first radio performances with local Cincinnati bandleader Barney Rapp, who was the man who urged Doris Mary Anne Kappelhoff to change her name to Doris Day.

After that, we're off and running with more mid-'40s appearances with Les Brown, 1950 duets on The Bob Hope Show with Bob ('Sunshine Cake') and Jimmy Wakely ('Slippin' Around'), and a lot more songs from The Bob Hope Show that reunited Doris with Les Brown, who served as the show's musical director. We've found period pictures galore for the package'which, by the way, was put together with the full knowledge and consent of the late, great lady herself'and have commissioned liner notes by Joe Marchese that chart the steep trajectory of Doris Day's career through these radio recordings. Remastered, like our other Doris Day rarities collections, by Mike Milchner at SonicVision'a perfect way to celebrate the Doris Day centennial!

Early Day: Rare Songs From The Radio 1939-1950

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Cory Weeds & Jeff Hamilton Trio - This Happy Madness

Styles: Saxophone Jazz, Bop
Year: 2015
File: MP3@320K/s
Time: 62:02
Size: 142,4 MB
Art: Front

(4:07)  1. Blow Your Horn
(7:02)  2. Get Out of Town
(4:01)  3. Early Morning Rain
(6:31)  4. Max
(5:20)  5. Out of the Night Came You
(4:56)  6. This Happy Madness
(6:19)  7. Young At Heart
(6:53)  8. I Thought About You
(6:38)  9. There's a Lull in My Life
(4:16) 10. Secret Love
(5:56) 11. Mr. Baggy Pants

Cory Weeds is at it again with another stellar addition to his impressive discography. Following his critically acclaimed Condition Blue he has teamed up with the always swinging Jeff Hamilton Trio for an invigorating romp through some Great American Songbook tunes, a few originals and a rarely heard Horace Silver tune. The album features the piano stylings of Tamir Hendelman, bassist Christoph Luty and renowned drummer Jeff Hamilton. If you like music that swings This Happy Madness will not disappoint.
~ Editorial Reviews  http://www.amazon.com/This-Happy-Madness-Cory-Weeds/dp/B013BB3W04

Personnel:  Jeff Hamilton ( Drums), Tamir Hendelman (Piano), Christoph Luty (Acoustic Bass), Cory Weeds (Tenor Saxophone)

This Happy Madness

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Patti Page - Tennessee Waltz: Nashville Classics

Styles: Vocal
File: MP3@320K/s
Time: 48:50
Size: 112,9 MB
Art: Front

(2:54) 1. Mister And Mississippi
(2:58) 2. Tennessee Waltz
(2:20) 3. Old Cape Cod
(3:27) 4. No Aces
(2:34) 5. Almost In Love With You Again
(3:23) 6. On The Inside
(2:25) 7. Go On Home
(2:29) 8. You Belong To Me
(3:15) 9. Every Time You Touch Me
(2:42) 10. My Man Friday
(2:37) 11. Mockingbird Hill
(2:23) 12. How Much Is That Doggie In The Window
(2:13) 13. A Poor Man's Roses
(3:01) 14. Croce Di Oro
(1:56) 15. Come What May
(2:45) 16. Changing Partners
(2:32) 17. Why Don't You Believe Me
(2:48) 18. Cross Over The Bridge

The best-selling female singer during the 1950s, Patti Page in many ways defined the decade of earnest, novelty-ridden adult pop with throwaway hits like "The Doggie in the Window" and "I Went to Your Wedding." By singing a wide range of popular material and her own share of novelty fluff, she proved easily susceptible to the fall of classic adult pop but remained a chart force into the mid-'60s.

Born Clara Ann Fowler in Claremore, Oklahoma, she began singing professionally at a radio station in Tulsa and took weekend gigs on the side. (After being billed as Patti Page for a program sponsored by Page Milk, she decided to take the name even after leaving.) Page toured the country with a band led by Jimmy Joy and ended up in Chicago by 1947, where she sang in a small-group outing by Benny Goodman and gained a recording contract with Mercury. Her first hit, "Confess," came that same year and made her the first pop artist to overdub harmony vocals onto her own lead.

After a few more successes, Page gained her first million-seller in 1950 for "With My Eyes Wide Open I'm Dreaming," which cashed in on the novelty effect of overdubbing (the added touch came with listing it as "the Patti Page Quartet"). Also in 1950, "All My Love" became her first number one hit and spent several weeks at the top. That same year produced the biggest hit of her career, "The Tennessee Waltz." Notched at number one for months, it eventually became one of the best-selling singles of all time and prompted no less than six Top 40 covers during the following year.

During 1952 and 1953, Page scored two more huge hits with "I Went to Your Wedding" and "The Doggie in the Window," both of which spent more than two months at number one. She gained her own television program, The Patti Page Show, in 1955 and moved into full-lengths with In the Land of Hi Fi and Manhattan Tower.

Page also proved more resilient to the rise of rock & roll than most of her contemporaries, hitting big in 1956 with "Allegheny Moon" and "Old Cape Cod" the next year. Indeed, she kept reaching the charts (if only in moderate placings) throughout the '60s, paced by the Top Ten theme to the film Hush, Hush, Sweet Charlotte in 1965. Though she stopped recording for the most part in 1968, she continued performing into the '90s. Patti Page died on January 1, 2013, at a retirement community in Encinitas, California, at the age of 85. By John Bush https://www.allmusic.com/artist/patti-page-mn0000747506/biography

Tennessee Waltz: Nashville Classics

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Joe Magnarelli - New York Osaka Junction

Styles: Trumpet Jazz
File: MP3@320K/s
Time: 63:13
Size: 145,2 MB
Art: Front

(7:27) 1. New York Osaka Junction
(5:58) 2. Lament For Lorraine
(8:29) 3. What's New
(5:22) 4. Cousin Joanne
(8:39) 5. These Foolish Things
(6:19) 6. Reverend Tsuruga
(6:42) 7. Emily
(6:09) 8. The Wedding
(8:04) 9. The End Of A Love Affair

NYC is one of the most vibrant cities in the world, Osaka will arguably make the second place in that category.

Joe Magnarelli in the past made a couple "junction" albums but this could be the ultimate junction connecting the NY trumpeter with dynamic Osaka-born B-3 player Tsuruga. They are joined by the ace baritone player Gary Smulyan, sharing front line that will make it probably the first trumpet-baritone-organ band.

"Joe is known for his engaging, melodically-rich lines, and his powerhouse rhythm." - Zan Stewart https://www.prestomusic.com/jazz/products/9384822--new-york-osaka-junction

Personnel: Joe Magnarelli - Trumpet, Flugelhorn; Gary Smulyan - Baritone Saxophone; Akiko Tsuruga - Hammond B3 Organ; Rudy Royston Music - Drums

New York Osaka Junction

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